Inheritance and succession -- Fiction; Man-woman relationships -- Fiction
"It" was a table; a small, round tea-table of rich red mahogany with a
well in its centre for flowers, and small holes in a line circling its
edge for the same purpose. These receptacles were filled and hidden with
the largest, purplest, and most fragrant violets Marise had ever seen,
and their amethyst tones, massed against the dark, rose-brown wood,
produced an exquisite effect. Marise believed herself an up-to-date
young woman, and her Persian dressing-room in London had rivalled Lily
Brayton's Chinese room during the run of "Chu Chin Chow." But she had
never heard of such a design as this in tables. It must be the newest of
the new, and invented by a great artist, she thought. In fear of seeming
ignorant, she had asked no questions of anyone, hoping to glean
information by luck: and vanity, as usual with her, had its own reward.
"By George, who sent you Herté's latest?" Belloc had exclaimed, when he
bounced into her room before the first act to see if his star were
"going strong."
Marise had to admit that she didn't know. But she put on an air of
awareness as to Herté. This was the sort of thing her mother taught her:
to seem innocent, but never ignorant--especially of anything "smart."
Mrs. Sorel had suggested that Herté himself might have contributed the
lovely specimen of his work, to complete the decoration of the room.
Belloc, however, had vetoed this idea. If there were no accompanying
poem, or at least a card, Herté wasn't guilty. He was not a young man
who bothered to blush unseen. So that hypothesis was "off"; and Marise
could think of no one among her acquaintances likely to spend so much
cash without getting credit.
Belloc was giving a supper for her after the theatre, and Herté was
there; a dark, haggardly beautiful young man who looked as if he had
detached himself from one of his own wall decorations. Belloc had placed
him next the star, not knowing whether Marise were really engaged to
Lord Severance or not; and the first question the girl asked was about
the table.
"Ah, you have my beloved violet-table!" he said, looking at her in the
way he had with beautiful young women: stripping her with his eyes and
dressing her all over again in a gown of his own creation. "I am
glad--glad."
"You didn't know?"
He shook his head until a black lock fell over his pale forehead. "I did
not. It was finished by the glorified cabinet-maker I employ: it
appeared in the window of my place. You must see my place, now your
rehearsals are over! You will want beauty to rest your mind--and you
will want Me to design your dresses! An hour later the table was snapped
up--gone from me forever."
"Ah, but who snapped it?"
Herté looked blank. "Your admiring friend, who knew it belonged, by
right of beauty, to you."
"Thanks! But I want you to tell me his--or her--name."
"Are you not acquainted with so much of him?"
"I'm not. And I'm dying to be, because the gentleman is anonymous--a
great unknown!"
Public-domain text, read in full here on John Shaqi.
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