Historical fiction; Italy -- History -- Revolution of 1848 -- Fiction; War stories
“So, you are resolved to give another trial to our crowned
ex-Carbonaro,” said Agostino.
“Without leaving him an initiative this time!” and the Chief embraced
the old man. “You know me upon that point. I cannot trust him. I do not.
But, if we make such a tide in Lombardy that his army must be drawn into
it, is such an army to be refused? First, the tide, my friend! See to
that.”
“The king is our instrument!” cried Carlo Ammiani, brightening.
“Yes, if we were particularly well skilled in the use of that kind of
instrument,” Agostino muttered.
He stood apart while the Chief said a few words to Carlo, which made the
blood play vividly across the visage of the youth. Carlo tried humbly
to expostulate once or twice. In the end his head was bowed, and he
signified a dumb acquiescence.
“Once more, good-bye.” The Chief addressed the signorina in English.
She replied in the same tongue, “Good-bye,” tremulously; and passion
mounting on it, added--“Oh! when shall I see you again?”
“When Rome is purified to be a fit place for such as you.”
In another minute he was hidden on the slope of the mountain lying
toward Orta.
CHAPTER V
Beppo had effected a firm capture of his man some way down the slope.
But it was a case of check that entirely precluded his own free
movements. They hung together intertwisted in the characters of specious
pacificator and appealing citizen, both breathless.
“There! you want to hand me up neatly; I know your vanity, my Beppo; and
you don't even know my name,” said the prisoner.
“I know your ferret of a face well enough,” said Beppo. “You dog the
signorina. Come up, and don't give trouble.”
“Am I not a sheep? You worry me. Let me go.”
“You're a wriggling eel.”
“Catch me fast by the tail then, and don't hold me by the middle.”
“You want frightening, my pretty fellow!”
“If that's true, my Beppo, somebody made a mistake in sending you to do
it. Stop a moment. You're blown. I think you gulp down your minestra too
hot; you drink beer.”
“You dog the signorina! I swore to scotch you at last.”
“I left Milan for the purpose--don't you see? Act fairly, my Beppo, and
let us go up to the signorina together decently.”
“Ay, ay, my little reptile! You'll find no Austrians here. Cry out to
them to come to you from Baveno. If the Motterone grew just one tree!
Saints! one would serve.”
“Why don't you--fool that you are, my Beppo!--pray to the saints
earlier? Trees don't grow from heaven.”
“You'll be going there soon, and you'll know better about it.”
“Thanks to the Virgin, then, we shall part at some time or other!”
The struggles between them continued sharply during this exchange
of intellectual shots; but hearing Ugo Corte's voice, the prisoner's
confident audacity forsook him, and he drew a long tight face like the
mask of an admonitory exclamation addressed to himself from within.
“Stand up straight!” the soldier's command was uttered.
Even Beppo was amazed to see that the man had lost the power to obey or
to speak.
Public-domain text, read in full here on John Shaqi.
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