Historical fiction; Italy -- History -- Revolution of 1848 -- Fiction; War stories
Corte grasped him under the arm-pit. With the force of his huge fist he
swung him round and stretched him out at arm's length, all collar and
shanks. The man hung like a mole from the twig. Yet, while Beppo poured
out the tale of his iniquities, his eyes gave the turn of a twinkle,
showing that he could have answered one whom he did not fear. The
charge brought against him was, that for the last six months he had been
untiringly spying on the signorina.
Corte stamped his loose feet to earth, shook him and told him to walk
aloft. The flexible voluble fellow had evidently become miserably
disconcerted. He walked in trepidation, speechless, and when
interrogated on the height his eyes flew across the angry visages with
dismal uncertainty. Agostino perceived that he had undoubtedly not
expected to come among them, and forthwith began to excite Giulio and
Marco to the worst suspicions, in order to indulge his royal poetic soul
with a study of a timorous wretch pushed to anticipations of extremity.
“The execution of a spy,” he preluded, “is the signal for the ringing
of joy-bells on this earth; not only because he is one of a pestiferous
excess, in point of numbers, but that he is no true son of earth. He
escaped out of hell's doors on a windy day, and all that we do is to
puff out a bad light, and send him back. Look at this fellow in whom
conscience is operating so that he appears like a corked volcano! You
can see that he takes Austrian money; his skin has got to be the exact
colour of Munz. He has the greenish-yellow eyes of those elective,
thrice-abhorred vampyres who feed on patriot-blood. He is condemned
without trial by his villainous countenance, like an ungrammatical
preface to a book. His tongue refuses to confess, but nature is
stronger:--observe his knees. Now this is guilt. It is execrable guilt.
He is a nasty object. Nature has in her wisdom shortened his stature to
indicate that it is left to us to shorten the growth of his offending
years. Now, you dangling soul! answer me:--what name hailed you when on
earth?”
The fan, with no clearly serviceable tongue, articulated, “Luigi.”
“Luigi! the name Christian and distinctive. The name historic:-Luigi
Porco?”
“Luigi Saracco, signore.”
“Saracco: Saracco: very possibly a strip of the posterity of cut-throat
Moors. To judge by your face, a Moor undoubtedly: glib, slippery! with
a body that slides and a soul that jumps. Taken altogether, more serpent
than eagle. I misdoubt that little quick cornering eye of yours. Do you
ever remember to have blushed?”
“No, signore,” said Luigi.
“You spy upon the signorina, do you?”
“You have Beppo's word for that,” interposed Marco Sana, growling.
“And you are found spying on the mountain this particular day! Luigi
Saracco, you are a fellow of a tremendous composition. A goose walking
into a den of foxes is alone to be compared to you,--if ever such goose
was! How many of us did you count, now, when you were, say, a quarter of
a mile below?”
Public-domain text, read in full here on John Shaqi.
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