Historical fiction; Italy -- History -- Revolution of 1848 -- Fiction; War stories
The plot for the rising in Milan city was two months old. It comprised
some of the nobles of the city, and enjoyed the good wishes of the
greater part of them, whose payment of fifty to sixty per cent to the
Government on the revenue of their estates was sufficient reason for a
desire to change masters, positively though they might detest
Republicanism, and dread the shadow of anarchy. These looked hopefully
to Charles Albert. Their motive was to rise, or to countenance a rising,
and summon the ambitious Sardinian monarch with such assurances of
devotion, that a Piedmontese army would be at the gates when the banner
of Austria was in the dust. Among the most active members of the
prospectively insurgent aristocracy of Milan was Count Medole, a young
nobleman of vast wealth and possessed of a reliance on his powers of mind
that induced him to take a prominent part in the opening deliberations,
and speedily necessitated his hire of the friendly offices of one who
could supply him with facts, with suggestions, with counsel, with
fortitude, with everything to strengthen his pretensions to the
leadership, excepting money. He discovered his man in Barto Rizzo, who
quitted the ranks of the republican section to serve him, and wield a
tool for his own party. By the help of Agostino Balderini, Carlo
Ammiani, and others, the aristocratic and the republican sections of the
conspiracy were brought near enough together to permit of a common action
between them, though the maintaining of such harmony demanded an extreme
and tireless delicacy of management. The presence of the Chief, whom we
have seen on the Motterone, was claimed by other cities of Italy. Unto
him solely did Barto Rizzo yield thorough adhesion. He being absent from
Milan, Barto undertook to represent him and carry out his views. How far
he was entitled to do so may be guessed when it is stated that, on the
ground of his general contempt for women, he objected to the proposition
that Vittoria should give the signal. The proposition was Agostino's.
Count Medole, Barto, and Agostino discussed it secretly: Barto held
resolutely against it, until Agostino thrust a sly-handed letter into his
fingers and let him know that previous to any consultation on the subject
he had gained the consent of his Chief. Barto then fell silent. He
despatched his new spy, Luigi, to the Motterone, more for the purpose of
giving him a schooling on the expedition, and on his return from it, and
so getting hand and brain and soul service out of him. He expected no
such a report of Vittoria's indiscretion as Luigi had spiced with his one
foolish lie. That she should tell the relatives of an Austrian officer
that Milan was soon to be a dangerous place for them;--and that she
should write it on paper and leave it for the officer to read,--left her,
according to Barto's reading of her, open to the alternative charges of
imbecility or of treachery. Her letter to the English lady, the Austrian
Public-domain text, read in full here on John Shaqi.
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