Historical fiction; Italy -- History -- Revolution of 1848 -- Fiction; War stories
officer's sister, was an exaggeration of the offence, but lent it more
the look of heedless folly. The point was to obtain sight of her letter
to the Austrian officer himself. Barto was baffled during a course of
anxious days that led closely up to the fifteenth. She had written no
letter. Lieutenant Pierson, the officer in question, had ridden into the
city once from Verona, and had called upon Antonio-Pericles to extract
her address from him; the Greek had denied that she was in Milan. Luigi
could tell no more. He described the officer's personal appearance, by
saying that he was a recognizable Englishman in Austrian dragoon
uniform;--white tunic, white helmet, brown moustache;--ay! and eh! and
oh! and ah! coming frequently from his mouth; that he stood square while
speaking, and seemed to like his own smile; an extraordinary touch of
portraiture, or else a scoff at insular self-satisfaction; at any rate,
it commended itself to the memory. Barto dismissed him, telling him to
be daily in attendance on the English lady.
Barto Rizzo's respect for the Chief was at war with his intense
conviction that a blow should be struck at Vittoria even upon the narrow
information which he possessed. Twice betrayed, his dreams and haunting
thoughts cried "Shall a woman betray you thrice?" In his imagination he
stood identified with Italy: the betrayal of one meant that of both.
Falling into a deep reflection, Barto counted over his hours of
conspiracy: he counted the Chief's; comparing the two sets of figures he
discovered, that as he had suspected, he was the elder in the patriotic
work therefore, if he bowed his head to the Chief, it was a voluntary
act, a form of respect, and not the surrendering of his judgement. He
was on the spot: the Chief was absent. Barto reasoned that the Chief
could have had no experience of women, seeing that he was ready to trust
in them. "Do I trust to my pigeon, my sling-stone?" he said jovially to
the thickbrowed, splendidly ruddy young woman, who was his wife; "do I
trust her? Not half a morsel of her!" This young woman, a peasant woman
of remarkable personal attractions, served him with the fidelity of a
fascinated animal, and the dumbness of a wooden vessel. She could have
hanged him, had it pleased her. She had all his secrets: but it was not
vain speaking on Barto Rizzo's part; he was master of her will; and on
the occasions when he showed that he did not trust her, he was careful at
the same time to shock and subdue her senses. Her report of Vittoria
was, that she went to the house of the Signora, Laura Piaveni, widow of
the latest heroic son of Milan, and to that of the maestro Rocco Ricci;
to no other. It was also Luigi's report.
"She's true enough," the woman said, evidently permitting herself to
entertain an opinion; a sign that she required fresh schooling.
"So are you," said Barto, and eyed her in a way that made her ask, "Now,
what's for me to do?"
He thought awhile.
Public-domain text, read in full here on John Shaqi.
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