"A most cursory examination of the portraits of poets, educators, and essayists will show a marked tendency in them to resemble the triangle in structure of the head and body--both head and body wide above and narrower in the lower portions. An examination of the portraits of a hundred great generals, pioneers, builders, engineers, explorers, athletes, automobile racers, aeronauts, and others who lead a life of great activity will show a general tendency toward structure on the lines of the square--square face, square body, square hands. Reference to the portraits of great judges, financiers, organizers, and commercial kings will show a general tendency toward structure upon the lines of the circle--round face, rounded body and a tendency to roundness in hands and limbs. "Anything which is hard in consistency has comparatively great resistance and persistence. That which is elastic in consistency is adaptable and seems to have spring, life, and energy within it. These principles have been found to apply to human beings." The existence of quite definite beliefs in these relations between character and physiognomy is readily shown by experiments in which groups of ten people were asked to arrange twenty photographs of women in an order of merit. On different occasions and by varying groups of mature college students, these photographs were arranged on the basis of seven different traits, viz.: intelligence, humor, perseverance, kindness, conceit, courage, and deceitfulness. Different judges show quite striking agreement in their estimates of the characteristics suggested by a given photograph. Thus, if the average position assigned to each photograph be taken as the standard and the divergences of the ten judges from this standard be averaged in the case of all the photographs, the average divergences for the different traits are as follows[2]: Intelligence 2.86 places Perseverance 3.32 " Kindliness 3.55 " Conceit 3.57 " Courage 3.69 " Humor 3.90 " Deceitfulness 4.14 "