OBLIGING BROKER (_to_ AMIABLE SPECTATOR, _who has come in out of
curiosity, and without the remotest intention of purchasing sculpture_).
No Catlog, Sir? 'Ere, allow me to orfer you mine--that's _my_ name in
pencil on the top of it, Sir; and, if you _should_ 'appen to see any lot
that takes your fancy, you jest ketch my eye. (_Reassuringly._) I
sha'n't be fur off. Or look 'ere, gimme a nudge--I shall know what it
means.
[_The_ A. S. _thanks him profusely, and edges away with an inward vow
to avoid his and the_ AUCTIONEER'S _eyes, as he would those of a
basilisk_.
AUCTIONEER (_from desk, with the usual perfunctory fervour_). Lot 13,
Gentlemen, very charming pair of subjects from child life--"_The Pricked
Finger_" and "_The Scratched Toe_"--by Bimbi.
A STOLID ASSISTANT (_in shirtsleeves_). Figgers _'ere_, Gen'lm'n!
[_Languid surge of crowd towards them._
[Illustration: "FIGGERS _'ere_, GEN'L'M'N!"]
A FACETIOUS BIDDER. Which of 'em's the finger and which the toe?
AUCT. (_coldly_). I should have thought it was easy to identify by the
attitude. Now, Gentlemen, give me a bidding for these very
finely-executed works by Bimbi. Make any offer. What will you give me
for 'em? Both very sweet things, Gentlemen. Shall we say ten guineas?
A GRUBBY MAN. Give yer five.
AUCT. (_with grieved resignation_). Very well, start 'em at five. Any
advance on five? (_To_ ASSIST.) Turn 'em round, to show the back view.
And a 'arf! Six! And a 'arf! Only six and a 'arf bid for this beautiful
pair of figures, done direct from nature by Bimbi. Come, Gentlemen,
come! Seven! Was that _you_, MR. GRIMES? (THE GRUBBY MAN _admits the
soft impeachment_.) Seven and a 'arf. Eight! It's _against_ you.
MR. GRIMES (_with a supreme effort_). Two-and-six!
[_Mops his brow with a red cotton handkerchief._
AUCT. (_in a tone of gratitude for the smallest mercies_).
Eight-ten-six. All done at eight-ten-six? Going ... gone! GRIMES, Eight,
ten, six. Take money for 'em. Now we come to a very 'andsome work by
Piffalini--"_The Ocarina Player_," one of this great artist's
masterpieces, and an exceedingly choice and high-class work, as you will
all agree directly you see it. (_To_ ASSIST.) Now, then, Lot 14,
there--look sharp!
STOLID ASSIST. "Hocarina Plier" eyn't arrived, Sir.
AUCT. Oh, hasn't it? Very well, then. Lot 15. "_The Pretty Pill-taker_,"
by Antonio Bilio--a really magnificent work of Art, Gentlemen.
(_"Pill-taker, 'ere.!" from the_ S. A.) What'll you give me for her?
Come, make me an offer. (_Bidding proceeds till the "Pill-taker" is
knocked down for twenty-three-and-a-half guineas._) Lot 16, "_The
Mixture as Before_," by same artist--make a charming and suitable
companion to the last lot. What do you say, MR. MIDDLEMAN--take it at
the same bidding? (Mr. M. _assents, with the end of one eyebrow_.) Any
advance on twenty-three and a 'arf? None? Then,--MIDDLEMAN, Twenty-four,
thirteen, six.
Public-domain text, read in full here on John Shaqi.
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