THE MORBID MAN. I suppose there's always a accident o' some sort before
they've finished.
FIRST WOMAN. Oh, don't, for goodness' sake, talk like that--I'm sure _I_
don't want to see nothing 'appen.
SECOND WOMAN. Well, you may make your mind easy--for you won't see
nothing here; you _would_ have it this was the best place to come to!
FIRST WOMAN. I only said there was no sense in paying extra for the
balcony, when you can go in the area for nothing.
SECOND WOMAN (_snorting_). Area, indeed! It might be a good deal airier
than what it is, I'm sure--I shall melt if I stay here much longer.
THE MORBID MAN, There's one thing about being so close to the jump as
this--if the 'orse jumps sideways--as 'osses will do every now and
then--he'll be right in among us before we know where we are, and then
there'll be a pretty how-de-do!
SECOND WOMAN (_to her Friend_). Oh, come away, do--it's bad enough to
see nothing, let alone having a great 'orse coming down atop of us, and
me coming out in my best bonnet, too--come away! [_They leave_.
THE DESCRIPTIVE MAN. Now, they're going to make 'em do some in-and-out
jumping, see? they're putting the fences close together--that'll puzzle
some of them--ah, he's over both of 'em; very clean that one jumps! Over
again! He's got to do it all twice, you see.
THE JUDGE OF HORSEFLESH. Temperate horse, that chestnut.
THE SEVERE CRITIC. Is he, though?--but I suppose they _have_ to be here,
eh? Not allowed champagne or whiskey or anything before they go in--like
they are on a race-course?
THE J. OF H. No, they insist on every horse taking the pledge before
they'll enter him.
THE DESCRIPTIVE MAN. Each of 'em's had a turn at the in-and-out jump
now. What's coming next? Oh, the five-barred gate--they're going over
that now, and the stone wall--see them putting the bricks on top? That's
to _raise_ it.
THE MORBID MAN. None of 'em been off yet; but (_hopefully_) there'll be
a nasty fall or two over this business--there's been many a neck broke
over a lower gate than that.
[_A Competitor clears the gate easily, holding the reins casually in his
right hand._
THE J. OF H. That man can ride.
THE SEVERE CRITIC. Pretty well--not what I call _business_,
though--going over a gate with one hand, like that.
THE J. OF H. Didn't know you were such an authority.
THE S. C. (_modestly_). Oh, I can tell when a fellow has a good seat. I
used to ride a good deal at one time. Don't get the chance much
now--worse luck!
THE J. OF H. Well, I can give you a chance, as it happens. (SEVERE
CRITIC _accepts with enthusiasm, and the inward reflection that the
chance is much less likely to come off than he is himself_.) You wait
till the show is over, and they let the horses in for exercise. I know a
man who's got a cob here--regular little devil to go--bucks a bit at
times--but you won't mind that. I'll take you round to the stall and get
my friend to let you try him on the tan. How will that do you, eh?
Public-domain text, read in full here on John Shaqi.
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