COACHMAN AT DOOR (_to Linkman, as_ MR. B. _goes down the steps_). That's
the _lot_, Jim!
[Mr. B. _walks home, wishing the Park Gates were not shut, so as to
render the Serpentine inaccessible_.
AT THE BRITISH MUSEUM.
IN THE SCULPTURE GALLERIES.
_Sightseers discovered drifting languidly along in a state of
depression, only tempered by the occasional exercise of the
right of every free-born Briton to criticize whenever he fails
to understand. The general tone is that of faintly amused and
patronizing superiority._
A BURLY SIGHTSEER _with a red face_ (_inspecting group representing
"Mithras Sacrificing a Bull"_). H'm; that may be Mithras's notion of
making a clean job of it, but it ain't _mine_!
A WOMAN (_examining a fragment from base of sculptured column with a
puzzled expression as she reads the inscription_). "Lower portion of
female figure--probably a Bacchante." Well, how they know who it's
intended for, when there ain't more than a bit of her skirt left, beats
_me_!
HER COMPANION. Oh, I s'pose they've got to put a name to it o' _some_
sort.
AN INTELLIGENT ARTISAN (_out for the day with his_ FIANCÉE--_reading
from pedestal_). "Part of a group of As--Astrala--no,
_Astraga_--lizontes"--that's what _they_ are, yer see.
FIANCÉE. But who _were_ they?
THE I. A. Well, I can't tell yer--not for certain; but I expect they'd
be the people who in'abited Astragalizontia.
FIANCÉE. Was that what they used to call Ostralia before it was
discovered? (_They come to the Clytie bust._) Why, if that isn't the
same head Mrs. Meggles has under a
glass shade in her front window, only smaller--and hers is alabaster,
too! But fancy them going and copying it, and I dare say without so much
as a "by your leave," or a "thank you!"
[Illustration: "H'M; THAT MAY BE MITHRAS'S NOTION OF MAKING A
CLEAN JOB OF IT, BUT IT AIN'T _mine_!"]
THE I. A. (_reading_). "Portrait of Antonia, sister-in-law of the
Emperor Tiberius, in the character of Clytie turning into a sunflower."
FIANCÉE. Lor! They did queer things in those days, didn't they?
(_Stopping before another bust._) Who's that?
THE I. A. 'Ed of Ariadne.
FIANCÉE (_slightly surprised_). What!--not young Adney down our street?
I didn't know as he'd been took in stone.
THE I. A. How do you suppose they'd 'ave young Adney in among this
lot--why, that's antique!
FIANCÉE. Well, I was _thinking_ it looked more like a female. But if
it's meant for old Mr. Teak the shipbuilder's daughter, it flatters her
up considerable; and, besides, I always understood as her name was
Betsy.
THE I. A. No, no; what a girl you are for getting things wrong! that 'ed
was cut out years and years ago!
FIANCÉE. Well, she's gone off _since_, that's all; but I wonder at old
Mr. Teak letting it go out of the family, instead of putting it on his
mantelpiece along with the lustres, and the two chiny dogs.
Public-domain text, read in full here on John Shaqi.
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