It was when Sam Webber was fullest of contrition and good resolves that Mexico, with a heavy sigh, subsided from his regular, brisk trot into a slow complacent walk. They were winding up an easy slope covered with brush ten or twelve feet high. “I say now, Mex,” demurred Sam, “this here won’t do. I know you’re plumb tired out, but we got ter git along. Oh, Lordy, ain’t there no mo’ houses in the world!” He gave Mexico a smart kick with his heels. Mexico gave a protesting grunt as if to say: “What’s the use of that, now we’re so near?” He quickened his gait into a languid trot. Rounding a great clump of black chaparral he stopped short. Sam dropped the bridle reins and sat, looking into the back door of his own house, not ten yards away. Marthy, serene and comfortable, sat in her rocking-chair before the door in the shade of the house, with her feet resting luxuriously upon the steps. Randy, who was playing with a pair of spurs on the ground, looked up for a moment at his father and went on spinning the rowels and singing a little song. Marthy turned her head lazily against the back of the chair and considered the arrivals with emotionless eyes. She held a book in her lap with her finger holding the place. Sam shook himself queerly, like a man coming out of a dream, and slowly dismounted. He moistened his dry lips. “I see you are still a-settin’,” he said, “a-readin’ of them billy-by-dam yaller-back novils.” Sam had traveled round the circle and was himself again. THE RUBBER PLANT’S STORY We rubber plants form the connecting link between the vegetable kingdom and the decorations of a Waldorf-Astoria scene in a Third Avenue theatre. I haven’t looked up our family tree, but I believe we were raised by grafting a gum overshoe on to a 30-cent table d’hôte stalk of asparagus. You take a white bulldog with a Bourke Cockran air of independence about him and a rubber plant and there you have the fauna and flora of a flat. What the shamrock is to Ireland the rubber plant is to the dweller in flats and furnished rooms. We get moved from one place to another so quickly that the only way we can get our picture taken is with a kinetoscope. We are the vagrant vine and the flitting fig tree. You know the proverb: “Where the rubber plant sits in the window the moving van draws up to the door.”