Waiting for an Omnibus in the Lowther Arcade on a Rainy Day: A Farce, in One ActMorton, John Maddison
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Waiting for an Omnibus in the Lowther Arcade on a Rainy Day: A Farce, in One Act
Morton, John Maddison
English drama -- 19th century; Farces; London (England) -- Drama
BEADLE. (_as before—pointing to O’WALKER’S umbrella, touching his hat,
&c.; O’WALKER puts umbrella down_) Please, sir, one of the ladies dropt
this article—perhaps you’ll take care of it, sir?
O’WALKER. (_taking the reticule_) Of course—here! (_feels in his
pocket—then puts his hand into the reticule, takes out purse, and gives
the BEADLE money_) I always make a point of rewarding honesty—there’s
half-a crown for you! (_puts purse in his pocket—BEADLE touches his
hat, and retires_) As I said before, I can’t help laughing; that poor
innocent little Fanny, too, flattering herself she’s the only woman I
ever loved. If she could only see a catalogue of my tender attachments,
she’d find herself about the hundred and sixteenth on the list—that
dear Patty Peckover, for instance. I do believe I should have married
that Patty Peckover if she hadn’t had so many cousins in the Life
Guards; but she was a good-hearted soul—she never would have treated me
as Miss Amelia Jones has done. When I think of the number of cubas I’ve
smoked in that woman’s little back parlour, and the bill I owe that
woman for those cubas, that woman’s ingratitude quite shocks me! Here’s
a letter she wrote me yesterday. (_taking out letter and reading_)
“Perfidious monster”—that’s so like Amelia Jones, that is—“you’re going
to be married, are you? Don’t deny it, hideous wretch that you are;”
that’s Amelia Jones all over, that is—(_reading_)—“but I’ll be
revenged: listen—I have kept your letters, miscreant!” that’s a
favourite expression of Amelia Jones’s, that is—(_reading_)—“and
to-morrow they shall be in the hands of your intended. So tremble,
viper! and believe me to remain as usual—your fond and
affectionate—Amelia.” Now any one would imagine that Amelia Jones was
an exceedingly ill-used young woman—but it’s no such thing. I went to
her shop in Little Windmill Street this evening, prepared to offer her
a shilling a piece for my letters, she wasn’t at home—so I went into
her little back parlour, and there, lying open upon the table, and
staring me in the face, was this letter (_showing letter_)—beginning
with “Loveliest of Amelias,” and winding up with “Your fondest of
Browns.” Now here’s a woman who’s got a Brown—a mysterious Brown—a
Brown who by his own account is the “fondest of Browns,” and yet this
woman presumes to call me a viper. Such is the sex—I grieve to say, but
such is the sex. (_during the above he has been occasionally cracking
nuts, which he takes out of MRS. JELLICOE’S reticule—very suddenly_)
Goodness gracious, I forgot Dibbs! (_pulling out his watch_) A quarter
to two! Why it was a quarter to two the last time I looked. (_holding
the watch to his ear_) It’s stopped—that’s pleasant; what’s to be done
now? Ah, there goes an omnibus. Here! Stop! Conductor—Pimlico——
_Puts up his umbrella, and runs out at L., nearly upsetting MR.
BARBICAN BROWN, who enters at the same time._
Public-domain text, read in full here on John Shaqi.
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