Walt Whitman in Mickle StreetKeller, Elizabeth Leavitt
General
Walt Whitman in Mickle Street
Keller, Elizabeth Leavitt
Poets, American -- 19th century -- Biography; Whitman, Walt, 1819-1892 -- Homes and haunts
"He's coming to paint me," said Mr. Whitman on reading the message; "I
had forgotten about him. We will put him over there somewhere; I don't
see what I can do to stop it; he has come all the way from England--from
England, Sidney, to paint me. Make the best of it, share the crust with
him." "The damper fell" for Mrs. Davis as well, when Mr. Whitman in his
usual off-hand manner announced the news to her. Another artist coming!
a portrait painter! And Mr. Whitman who had known of this for an
indefinite time had given her no warning, had taken her unaware. She was
completely overcome, and not a little indignant. Had he really forgotten
it, or had he thought it a matter of too little importance to mention?
It was not often that Mrs. Davis shed tears in self-pity, but now they
were her only relief. It was not the extra work and expense that
troubled her most; it was Mr. Whitman's indifference towards her.
Mr. Morse was also touched, and confesses that in his disappointment he
was half inclined to pack his traps and go. For a moment the
housekeeper's mind tended in the same direction. "But," continues Mr.
Morse, "when the young man appeared on the scene in person, I was calm
once more and ready to be pacified." Mrs. Davis also calmed herself
and, as was her disposition, concealed her feelings and roused herself
to meet the emergency. "The litter of everything under heaven" was poked
still further aside, the stove was taken down and put into the cellar,
things heaped and packed higher in the corners or carried out of the
room, and a place made for the newcomer.
Mr. Gilchrist proved to be an agreeable, enthusiastic young man, and one
never to get into another's way. Mr. Morse could keep his place at the
window, and Mr. Gilchrist could place his easel a little way back, so
that the sitter didn't need to change his position to be in a good light
for both. But what of Mrs. Davis when paint and oil were added to
plaster and the other refuse pervading the parlors? Had the confusion
been confined to these rooms alone it could have been held in check, but
for lack of room the kitchen soon became an auxiliary to the improvised
studio. Again quoting Mr. Morse: "For a week we kept it up, working
some, talking more, Mr. Whitman's wistful eye on us both."
Public-domain text, read in full here on John Shaqi.
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