Walt Whitman in Mickle StreetKeller, Elizabeth Leavitt
General
Walt Whitman in Mickle Street
Keller, Elizabeth Leavitt
Poets, American -- 19th century -- Biography; Whitman, Walt, 1819-1892 -- Homes and haunts
This favorable state of affairs was, however, of short duration, for
after the first week the progress of the artists was unsatisfactory;
they were hindered by constant interruptions, and as company began to
pour in upon them, some days would pass and find little accomplished by
either. It seemed a fatality that so many people should have chosen this
very time to make their visits, especially people from abroad. Before
long the strain of it told visibly on Mr. Whitman. Mr. Morse observed
not only this, but the anxious look on Mrs. Davis's face as well, and on
consulting her found she was much alarmed, and feared that their subject
would give out unless some change could be made. The change was made
when early the next morning the sculptor betook himself with his effects
to the yard. This arrangement not merely gave additional space in the
parlors where two or three spectators could sit or stand, but it also
removed from them their chief attraction.
Some of Mr. Whitman's friends called daily, several twice or even three
times in a single day.
Mr. Morse was satisfied with the new order of things and says: "In the
cool shadow of the house, under a propitious sky (when it was
propitious), with high boarded fence, and a grape vine wreathing itself
into a pear tree for a background, my work proceeded. Occasional
excursions to the studio in front for memory sketches seemed to be
serving me all right."
Up to this time Mrs. Davis had had undisputed possession of the yard,
and this constant running back and forth was almost unendurable to her.
For the excursions were not confined to the sculptor; all comers, casual
or constant visitors, old friends and strangers, even ordinary
passers-by--following the lead of others--deliberately took the right of
way through the hall and kitchen, until it might as well have been a
public passage from street to yard. Then in unfavorable weather, when
the work could not go on, came another complication, as the unwieldy
appurtenances had to be brought into the little canvas-covered alcove,
shed and kitchen, obstructing everything. It was worse still in case of
a sudden shower, when the things had to be hustled in anywhere and
anyhow. But the front of the house! It was vacation time, and the
"plaster man" and "painter man" at Whitman's were the great source of
entertainment in the neighborhood. Children thronged the cellar doors
from early morning until late at night; babies were held up to look in,
and there was a general scramble for the best point of view.
Pedestrians, market people and others passing the house were attracted
by this manifest excitement, and there was scarcely one of them who did
not pause to satisfy his or her inquisitiveness with a peep. From a
distance it was difficult to discern what could be taking place at the
poet's, and everybody, old and young, even the halt and the lame, seemed
to have time to walk an extra block or two to ascertain. However, as
there was no alternative, Mrs.
Public-domain text, read in full here on John Shaqi.
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