Authors, English -- 19th century -- Biography; Critics -- Great Britain -- Biography; Pater, Walter, 1839-1894
To indicate them briefly in detail, the first is a study of “Dionysus,”
which touches with innumerable mystical and poetical suggestions the
bright, gay, ruthless figure of the god, alive from head to foot,
thrilling with the joy of life and beauty, and, with a divinely
unassailed temperance of his own; as he passes lightly in his robe
of skins, poising his wand with the bare brown arm, carrying in his
hand the strange secret of the vine, its heady visions, its power of
overwhelming by a sort of resistless, poisonous energy the mortal
spirit, heightening and gilding on the one hand its bright fancies and
sparkling dreams into a sort of mysterious rapture, an inner careless
glee; and on the other hand sinking melancholy thoughts into an
abandoned and exaggerated grief, and at last merging both joy and grief
together into a deep stupor of mind and body. We Northerners, with
the inherited taste for potent and ardent beverages, as resources to
fight against our cheerless skies, our damp mists, our aching frosts,
enlightened, too, by the later researches of natural philosophers,
who have explained the magic of intoxication as a sort of unseemly
poisoning of mind and body alike, are apt to view the effects of wine
as an essentially grotesque and commonplace thing; we forget what
a mystery this fierce excitement, this strange imported ecstasy of
soul, the cloudy following lethargy might mean, would mean to those to
whom the whole of life was a commerce with the divine, and who felt
themselves surrounded by secret and unseen influences. And then, too,
we must bear in mind that tendency of personification which lay so
close to the heart of these old nations. With us it is all the other
way; we tend to refer all things to a vast unity of law, to prodigious
impersonal forces, thereby drawing, no doubt, nearer to truth, but
further and further away from the romance that appeals to simple minds.
Thus to the Greeks the worship of the grape was a discerning of “the
spirit of fire and dew, alive and leaping in a thousand vines.” The
rites of Dionysus were holy things, “breaths of remote nature ... the
pines, the foldings of the hills, the leaping streams, the strange
echoings and dying of sound on the heights.” Dionysus, thus, was a
spirit of fire and dew; of fire first:—
Public-domain text, read in full here on John Shaqi.
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