Authors, English -- 19th century -- Biography; Critics -- Great Britain -- Biography; Pater, Walter, 1839-1894
“And who,” says Pater, “that has rested a hand on the glittering
silex of a vineyard slope in August, where the pale globes of
sweetness are lying, does not feel this? It is out of the bitter
salts of a smitten, volcanic soil that it comes up with the most
curious virtues.... In thinking of Dionysus, then, as fire-born,
the Greeks apprehend and embody the sentiment, the poetry, of
all tender things which grow out of a hard soil, or in any sense
blossom before the leaf, like the little mezereon-plant of English
gardens, with its pale-purple, wine-scented flowers upon the
leafless twigs in February, or like the almond-trees of Tuscany, or
Aaron’s rod that budded, or the staff in the hand of the Pope when
Tannhäuser’s repentance is accepted.”
And then, too, Dionysus is born of the dew—of the freshness, the
solace, of liquid in a hot land.
“Think of the darkness of the well in the breathless court, with
the delicate ring of ferns kept alive just within the opening; of
the sound of the fresh water flowing through the wooden pipes into
the houses of Venice, on summer mornings.”
It is this combining of symbolism that Pater believes to be so
characteristic of the Greek sentiment: “the religious imagination of
the Greeks being, precisely, a unifying or identifying power, bringing
together things naturally asunder, making, as it were, for the human
body a soul of waters, for the human soul a body of flowers.”
And with it all, in the conception of this mystical impassioned Deity,
goes a deep sadness, the sadness of one who is old though everlastingly
young, who has seen a thousand fair things fade, year after year, the
flowers withering in the sheltered places, the trees losing their
rich summer foliage; he has seen generation after generation arise in
grace and beauty, thirsting for life, coming with new wonder to taste
the sweet mysteries; and they too have gone; he knows the secrets of
the grave; he knows that though new life arises, the old life, the
old passionate identities, are not restored. He himself defies death
and the violence of traitorous people, infuriated by the sorrows that
follow so hard in the path of joy; he is slain, but arises again with
strength renewed and sadness increased; thus the vision glows, and
fades, and glows again.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account