Wanderings in New South Wales, Batavia, Pedir Coast, Singapore, and China, Vol. 2 (of 2) : $b Being the journal of a naturalist in those countries, during 1832, 1833 and 1834Bennett, George
History
Wanderings in New South Wales, Batavia, Pedir Coast, Singapore, and China, Vol. 2 (of 2) : $b Being the journal of a naturalist in those countries, during 1832, 1833 and 1834
Bennett, George
Asia -- Description and travel; Natural history -- Australia -- New South Wales; New South Wales -- Description and travel
I observed the bird, previously to eating a grasshopper, given him in an
entire or unmutilated state, place the insect upon the perch, keep it
firmly fixed with the claws, and, divesting it of the legs, wings, &c.,
devour it, with the head always placed first. The servant who attends
upon him to clean the cage, give him food, &c., strips off the legs,
wings, &c., of the insects when alive, giving them to the bird as fast
as he can devour them. It rarely alights upon the ground, and so proud
is the creature of its elegant dress, that it never permits a soil to
remain upon it, and it may frequently be seen spreading out its wings
and feathers, and regarding its splendid self in every direction, to
observe whether the whole of its plumage is in an unsullied condition. It
does not suffer from the cold weather during the winter season at Macao,
though exposing the elegant bird to the bleak northerly wind is always
very particularly avoided. Mr. Beale is very desirous of procuring a
living female specimen of this bird, to endeavour, if possible, to breed
them in his aviary.[20]
The sounds uttered by this bird are very peculiar; that which appears to
be a note of congratulation resembles somewhat the cawing of a raven,
but changes to a varied scale in musical gradations, as _he, hi, ho,
haw_, repeated rapidly and frequently, as lively and playfully he hops
round and along his perch, descending to the second perch to be admired,
and congratulate the stranger who has made a visit to inspect him; he
frequently raises his voice, sending forth notes of such power as to
be heard at a long distance, and as it would scarcely be supposed so
delicate a bird could utter; these notes are _whock, whock, whock,
whock_, uttered in a barking tone, the last being given in a low note as
a conclusion.
A drawing of the bird, of the natural size, was made by a Chinese artist.
This was taken one morning to the original, who paid a compliment to
the artist, by considering it one of his own species. The bird advanced
stedfastly towards the picture, uttering at the same time its cawing
congratulatory notes; it did not appear excited by rage, but pecked
gently at the representation, jumping about the perch, knocking its
mandibles together with a clattering noise, and cleaning them against the
perch, as if welcoming the arrival of a companion.
After the trial with the picture, a looking-glass was brought, to see
what effect it would produce upon the bird, and the result was nearly
the same; he regarded the reflection of himself most stedfastly in the
mirror, never quitting it during the time it remained before him. When
the glass was removed to the lower, from the upper perch, he instantly
followed, but would not descend upon the floor of the cage when it was
placed so low.
Public-domain text, read in full here on John Shaqi.
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