Gautier, Théophile, 1811-1872 -- Travel -- Spain; Spain -- Description and travel; Spain -- Social life and customs -- 19th century
When we had taken our bath, we hurried back in order to get into
the town before the gates were shut. We enjoyed a glass of _Orchata
de Chufas_ and iced milk, the flavour and perfume of which were
delicious, and then ordered our guide to take us to our _fonda_.
The walls of our room, like those of all the rooms in Spain, were
rough-cast, and covered with those stupid yellow pictures, those
mysterious daubs, like alehouse signs, which you so frequently
meet in the Peninsula, a country that contains more bad pictures
than any other in the world: this observation, of course, does not
detract from the merit of the good ones.
We hastened to sleep as much and as quickly as possible, in order
to be up early the next morning and visit the Cathedral before the
service began.
The Cathedral of Toledo is considered, and justly so, as one of the
finest and richest in Spain. Its origin is lost in the night of
time, but, if the native authors are to be believed, it is to be
traced back to the apostle Santiago, first archbishop of Toledo,
who, according to them, pointed out its site to his disciple and
successor, Elpidius, who was a hermit on Mount Carmel. Elpidius
erected, on the spot pointed out, a church, which he dedicated
to the Virgin during the time she was still living at Jerusalem.
"What a notable piece of happiness! what an illustrious honour for
the Toledans! It is the most excellent trophy of their glory!"
exclaims, in a moment of lyrical inspiration, the author from whom
we have taken these details.
The Holy Virgin was not ungrateful, and, according to the same
legend, descended in person to visit the church of Toledo,
bringing with her own hands, to the blessed San Ildefonso, a
beautiful chasuble _formed of heavenly cloth_. "See how this Queen
pays what she owes!" exclaims our author again. The chasuble still
exists, and, let into the wall, is seen the stone on which the
Virgin placed the sole of her celestial foot, the mark of which
remains. The miracle is attested by the following inscription:--
QUANDO LA REINA DEL CIELO
PUSÓ LOS PIES EN EL SUELO
EN ESTA PIEDRA LOS PUSÓ.
In addition to this, the legend informs us that the Holy Virgin
was so well pleased with her statue, and thought it so well
executed, so well proportioned and so like, that she kissed it,
thus bestowing on it the power of working miracles. If the Queen of
Heaven were to descend into our churches now-a-days, I do not think
that she would be tempted to embrace the statues of herself that
she might see there.
Public-domain text, read in full here on John Shaqi.
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