Gautier, Théophile, 1811-1872 -- Travel -- Spain; Spain -- Description and travel; Spain -- Social life and customs -- 19th century
Our Herculean compatriots raised immense weights, and bent a
considerable number of iron bars, to the great delight of the
assembly; while the lighter of the two made an ascent upon the
tight rope, and performed a variety of other feats, rather stale
in Paris, but new, probably, to the population of Vittoria. During
this time we were dying with impatience in our stalls, and I was
cleaning the glass of my _lorgnette_ with a furious degree of
activity, in order not to lose anything of the _baile nacional_.
At last, the supports of the tight-rope were loosened, and the
stage-carpenters, dressed as Turks, cleared away the weights and
all the other paraphernalia of the Hercules_es_. Think, dear
reader, of the frightful anxiety of two enthusiastic and romantic
young Frenchmen about to behold, for the first time, a Spanish
dance ... in Spain!
At last the curtain rose upon a scene which seemed to entertain
a feeble desire, which was certainly not gratified, of being
enchanting and fairy-like. The cornets-à-piston played, with more
fury than ever, the strain already described, and the _baile
nacional_ advanced in the form of a _danseur_ and _danseuse_,
armed with a pair of castagnettes each. Never have I seen anything
more sad and lamentable than these two miserable ruins _qui ne
se consolaient pas entre eux_: a penny theatre never bore upon
its worm-eaten boards a couple more used-up, more worn-out, more
toothless, more blear-eyed, more bald, and more dilapidated.
The wretched woman, who had besmeared herself with bad Spanish
white, had a sky-blue complexion, which recalled to your mind the
Anacreontic pictures of a person who had died of cholera, or been
drowned some time; the two dabs of rouge that she had placed upon
her prominent cheek-bones, to add a little brilliancy to her fishy
eyes that seemed as if they had been boiled, contrasted strangely
with the aforesaid blue. With her veiny and emaciated hands she
shook a pair of cracked castagnettes, which chattered like the
teeth of a man who has got a fever, or like the wires of a skeleton
in motion. From time to time, she stretched, with a desperate
effort, the relaxed fibres of her calves, and managed to raise her
poor old baluster-looking leg, so as to produce a nervous little
capriole, like a dead frog submitted to the operation of the
voltaic battery, and, for a second, to cause the copper spangles
of the doubtful rags which served her for a robe, to sparkle and
glisten. As for the man, he kept fluttering about most horribly in
his own corner; he rose and fell flatly, like a bat crawling along
upon its stumps; he looked like a grave-digger burying himself. His
forehead, wrinkled like a boot, and his goat-like cheeks, gave him
a most fantastic air: if, instead of castagnettes, he had only had
a Gothic rebec in his hands, he might have set up to lead the Dance
of Death at Basle.
Public-domain text, read in full here on John Shaqi.
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