Gautier, Théophile, 1811-1872 -- Travel -- Spain; Spain -- Description and travel; Spain -- Social life and customs -- 19th century
During all the time the dance lasted, they did not once raise their
eyes on one another; it struck you that they were frightened of
their reciprocal ugliness, and feared lest they should burst into
tears at seeing themselves so old, so decrepit, and so mournful.
The man, especially, avoided his companion as if she had been a
spider, and appeared to shiver in his old parchment skin every time
the figure of the dance forced him to approach her. This lively
bolero lasted five or six minutes, after which the fall of the
curtain put an end to the torture of these two wretched beings, ...
and to ours.
Such was the specimen of the bolero which greeted our poor eyes,
so enamoured of "local colouring." Spanish dancers exist only at
Paris, like the shells which are only found at the curiosity-shops,
and never on the sea shore. O Fanny Elssler, who art now in
America, among the savages! even before going to Spain, we always
had an idea that it was thou who inventedst the cachucha!
We went to bed rather disappointed. In the middle of the night we
were woke up to resume our journey. The cold was still intense,
to a Siberian extent; this is accounted for by the height of
the table-land we were crossing, and the snow by which we were
surrounded. At Miranda, our trunks were once more examined, and
then we entered Old Castile (_Castilla la Vieja_), the kingdom of
Castile and Leon, symbolically represented by a lion holding a
shield studded with castles. These lions, which are repeated until
you are sick of them, are generally of a greyish granite, and have
rather an imposing heraldic appearance.
[Illustration: PASS OF PANCORBO.]
Public-domain text, read in full here on John Shaqi.
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