Gautier, Théophile, 1811-1872 -- Travel -- Spain; Spain -- Description and travel; Spain -- Social life and customs -- 19th century
composing that admirable chapter, of whom we have spoken, and
who wished posterity to imagine they were mad. The additions of
Francisco Ruiz consist of three stories; the first of these is
pierced with windows, in whose embrasures are hung the bells; the
second, surrounded by an open balustrade, bears on the cornice of
each of its sides these words--"_Turris fortissima nomen Domini_;"
and the third is a kind of cupola or lantern, on which turns a
gigantic gilt bronze figure of Faith, holding a palm in one hand
and a standard in the other, and serving as a weathercock, thereby
justifying the name of Giralda given to the tower. This statue is
by Bartholomew Morel. It can be seen at a very great distance; and
when it glitters through the azure atmosphere, really looks like a
seraph lounging in the air.
You ascend the Giralda by a series of inclined ramps, so easy
and gentle, that two men on horseback could very well ride up to
the summit, whence you enjoy an admirable view. At your feet
lies Seville, brilliantly white, with its spires and towers,
endeavouring, but in vain, to reach the rose-coloured brick girdle
of the Giralda. Beyond these stretches the plain, through which the
Guadalquiver flows, like a piece of watered silk, and scattered
around are Santi-Pouce, Algaba, and other villages. Quite in the
background is the Sierra Morena, with its outlines sharply marked,
in spite of the distance, so great is the transparency of the air
in this admirable country. On the opposite side, the Sierras de
Gibram, Zaara, and Morou, raise their bristling forms, tinged with
the richest hues of lapis lazuli and amethyst, and completing this
magnificent panorama, which is inundated with light, sunshine, and
dazzling splendour.
Public-domain text, read in full here on John Shaqi.
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