Gautier, Théophile, 1811-1872 -- Travel -- Spain; Spain -- Description and travel; Spain -- Social life and customs -- 19th century
A great number of fragments of columns, shaped into posts, and
connected with each other by chains, except where spaces are left
for persons to pass, surround the cathedral. Some of these columns
are antique, and come either from the ruins of Italica, or from the
remains of the ancient mosque, whose former site is now occupied
by the cathedral, and of which the only remaining vestiges are
the Giralda, a few old walls, and one or two arches, one of which
serves as the entrance to the courtyard _de los Nanjeros_. The
_Lonja_ (Exchange) is a large and perfectly regular edifice, built
by the heavy and wearisome Herrera, that architect of _ennui_, to
whom we owe the Escurial, which is decidedly the most melancholy
building in the world; the Lonja, also, like the cathedral, is
surrounded by the same description of posts. It is completely
isolated, and presents four similar façades; it stands between the
cathedral and the Alcazar. In it are preserved the archives of
America, and the correspondence of Christopher Columbus, Pizarro,
and Fernand Cortez; but all these treasures are guarded by such
savage dragons, that we were obliged to content ourselves with
looking at the outside of the pasteboard boxes and portfolios,
which are stowed away in mahogany compartments, like the goods in a
draper's shop. It would be a most easy thing to place five or six
of the most precious autographs in glass-cases, and thus satisfy
the very legitimate curiosity of travellers.
[Illustration: HALL OF DON PEDRO, THE ALCAZAR, SEVILLE.]
Public-domain text, read in full here on John Shaqi.
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