of classic architecture only rendered more slim and tapering, with that skill for which the artists of the Renaissance were so famed. The Corinthian capitals, more elongated than those of the consecrated Greek form, are very elegant. The pictures and ornaments are specimens of overcharged bad taste and meaningless richness, and that is all. I must not, however, pass over in silence, a little crucified martyr of seven years old, in carved, painted wood, most beautifully conceived, and carried out with exquisite delicacy. Enthusiasm, faith, and grief are all united on the beautiful face, in childlike proportions and the most touching manner. We went to see the _Plaza de Toros_, which is small, and reckoned one of the most dangerous in Spain. In order to reach it, you pass through gardens planted with gigantic palm-trees of various kinds. Nothing is more noble and more royal than the palm-tree. Its large sun of leaves at the top of its grooved column, glitters so splendidly in the lapis-lazuli of an eastern sky! Its scaly trunk, as slender as if it were confined within a corset, reminds you so much of a young maiden's waist, its bearing is so majestic and so elegant. The palm-tree and the oleander are my favourite trees: the sight of one of them causes me to feel a degree of gaiety and joy that is truly astonishing. It seems to me as if no one could be unhappy under their shade. The _Plaza de Toros_ at Cadiz has no continuous _tablas_. There are kinds of wooden screens, at certain intervals, behind which the _toreros_ take refuge when too closely pursued. This arrangement struck us as presenting less security than that in the other bull-rings. Our attention was directed to the boxes in which the bulls are confined during the fight: they are a kind of cages, formed of massive beams, and shut by a door which is raised like the shuttle of a mill or the sluice of a pond. It is the custom here to goad the bulls with sharp-pointed darts and rub them with nitric acid, in order to render them furious: in short, all possible means are employed to exasperate their natural disposition. On account of the excessive heat, the bull-fights were discontinued; a French acrobat had arranged his trestles and tight-rope in the middle of the arena for a performance that was to take place the next day. It was in this circus that Lord Byron saw the bull-fight which he describes in the first canto of "Childe Harold's Pilgrimage;" the description is poetical, but does not say much for his knowledge of Tauromachia.