Gautier, Théophile, 1811-1872 -- Travel -- Spain; Spain -- Description and travel; Spain -- Social life and customs -- 19th century
We did not find any holy box-wood in the rooms, but branches of
trees, in the shape of palms, plaited, woven, and twisted with
great elegance and care. The beds possess no bolsters, but have two
flat pillows placed one on the other. They are generally extremely
hard, although the wool of which they are composed is good; but the
Spanish are not accustomed to card their mattresses, merely turning
the wool with the aid of two sticks. Opposite our windows hung a
strange kind of sign-board. It belonged to a surgical practitioner,
who had caused himself to be represented in the act of sawing off
the arm of a poor devil seated in a chair; we also perceived the
shop of a barber, who, I can assure my readers, did not bear the
least resemblance to Figaro. Through the panes of his shop-front we
could see a large and rather highly-polished brazen shaving-dish,
which Don Quixote, had he still been of this world, might easily
have mistaken for Mambrino's helmet. It is true that the Spanish
barbers have lost their ancient costume, but they still retain
their former skill, and shave with great dexterity.
Although Burgos was long the first city of Castile, there is
nothing peculiarly Gothic in its general appearance. With the
exception of one street, in which there are a few windows and
door-ways of the time of the Renaissance, and ornamented with coats
of arms and their supporters, the houses do not date further back
than the commencement of the seventeenth century, and merely strike
the observer by their very commonplace look; they are old, but
they are not ancient. Burgos, however, can boast of its Cathedral,
which is one of the finest in the world; but, unfortunately, like
all Gothic cathedrals, it is hemmed in by a number of ignoble
structures, which prevent the eye from appreciating the general
disposition of the building and seizing the whole mass at one
glance. The principal entrance looks out upon a large square,
in the middle of which is a handsome fountain, surmounted by a
delicious statue of Our Saviour in white marble. This fountain
serves as a target to all the idle vagabonds of the town who can
find no more amusing occupation than to throw stones at it. The
entrance, which I have just mentioned is magnificent, being worked
and covered with a thousand different patterns like a piece of
lace. Unfortunately it has been rubbed and scraped down to the
outer frieze by some Italian prelates or other, who were great
admirers of architectural simplicity, of plain walls and ornaments
in "good taste," and wished to arrange the cathedral in the Roman
style, pitying very much the poor, barbarous architects, for not
employing the Corinthian order, and not appearing to have been
alive to Attic beauty and the charm of triangular frontons.
Public-domain text, read in full here on John Shaqi.
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