Gautier, Théophile, 1811-1872 -- Travel -- Spain; Spain -- Description and travel; Spain -- Social life and customs -- 19th century
At Venta de Trigueros, a most singularly beautiful _rose-coloured_
horse was harnessed to the _galera_. We had given up mules. This
horse fully justified the one which has been so much criticised
in the "Triumph of Trajan," by Eugene Delacroix. Genius is always
right. Whatever it invents, exists; and Nature imitates it in
almost its most fantastic eccentricities. After crossing a road
skirted by mounds and jutting buttresses, which presented a
tolerably monumental appearance, we at last entered Valladolid,
slightly bruised, but with our noses undamaged, and our arms still
hanging to our bodies without the assistance of black pins, like
the arms of a new doll. I cannot say much for our legs, in which we
seemed to feel all the pins and needles that were ever manufactured
in England, as well as the feet of a hundred thousand invisible
ants. We alighted in a superb and scrupulously clean _parador_,
where we were ushered into two splendid rooms, with balconies
looking out upon a square, coloured matting, and walls painted in
distemper, yellow and russet-green. As yet we had met with nothing
which could justify the charge of uncleanliness and poverty,
which travellers make against Spanish inns; we had not found any
scorpions in our beds, and the promised insects had not made their
appearance.
Valladolid is a large city that is almost entirely depopulated.
It is capable of containing two hundred thousand souls, and the
number of its inhabitants scarcely amounts to twenty thousand. It
is a clean, quiet, elegant town, possessing many peculiar features
that tell us we are approaching the east. The façade of San Pablo
is covered with marvellous sculptures, of the commencement of the
Renaissance period. Before the entrance, and arranged like posts,
are granite pillars, surmounted by heraldic lions, holding in
every possible position a shield with the arms of Castile upon
it. Opposite this edifice is a palace of the time of Charles V.,
with a courtyard surrounded with extremely elegant arcades and
most beautifully sculptured medallions. In this architectural gem,
the government sells its ignoble salt and detestable tobacco. By
a lucky chance, the façade of San Pablo is situated in a square,
so that a daguerreotype view can be taken of it, which there is
generally a great difficulty in doing in the case of edifices of
the Middle Ages, almost always hemmed in by a heap of houses and
abominable sheds; but the rain, which did not cease for a moment
during our stay in Valladolid, prevented our profiting by this
circumstance. Twenty minutes of sunshine, piercing the streams of
rain at Burgos, had enabled us to take very clear and distinct
views of the two spires of the Cathedral and a large portion of the
portal; but, at Valladolid, we did not have even twenty minutes, a
circumstance which we regretted all the more from the fact of the
town abounding in charming specimens of architecture. The building
Public-domain text, read in full here on John Shaqi.
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