Indeed the barbarians had long prepared with studied foresight this deed
of sacrilege, in spite of their idiotically absurd pretexts and their
shameless denials. That which they had desired to destroy here was the
very heart of ancient France, impelled as much by some superstitious
fancy as by their own brutal instincts, and upon this task they bent
their whole energy, while in the rest of the town nothing else, or
almost nothing, suffered damage.
"Could no attempt be made," I ask, "to replace the burnt roof of the
basilica, to cover over as soon as possible these arches, which will not
otherwise withstand the ravages of next winter?"
"Undoubtedly," he replies, "there is a risk that at the first falls of
snow, the first showers of rain, all this will crumble to ruins, more
especially as the calcined stones have lost their power of resistance.
But we cannot even attempt to preserve them a little, for the Germans do
not let us out of their sight. It is the cathedral, always the
cathedral, that they watch through their field-glasses, and as soon as a
single person appears in the bell turret of a tower the rain of shells
begins again. No, there is nothing to be done. It must be left to the
grace of God."
On his return, His Eminence graciously provides me with a guide, who has
the keys of the hoarding, and at last I penetrate into the ruins of the
basilica, into the nave, which, being stripped bare, appears the loftier
and vaster for it.
It is cold there and sad enough for tears. It is perhaps this unexpected
chill, a chill far more piercing than that of the world without, which
at first grips you and disconcerts you. Instead of the somewhat heavy
perfume that generally hangs about old basilicas, smoke of so much
incense burned there, emanations of so many biers blessed by the
priests, of so many generations who have hastened there to wrestle and
pray--instead of this, there is a damp, icy wind which whistles through
crevices in the walls, through broken windows and gaps in the vaults.
Towards those vaults up yonder, pierced here and there by shrapnel, the
eyes are raised, immediately, instinctively, to gaze at them. The sight
is led up towards them, as it were, by all those columns that jut out,
shooting aloft in sheaves, for their support. They have flying curves,
these vaults, of exquisite grace, so designed, it seems, that they may
not hinder prayers in their upward flight, nor force back to earth a
gaze that aims at heaven. One never grows tired of bending the head
backwards to gaze at them, those sacred vaults hastening to destruction.
And then high up, too, quite high up, throughout the whole length of the
nave, is the long succession of those almost ethereal pointed arches
which support the vaults and arches, alike, yet not rigidly uniform, and
so harmonious, despite their elaborate carving, that they give rest to
the eye that follows them upwards in their soaring perspective. These
Public-domain text, read in full here on John Shaqi.
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