vast ceilings of stone are so airy in appearance, and moreover so
distant, that they do not oppress or confine the spirit. Indeed they
seem freed from all heaviness, almost insubstantial.
Moreover, it is wiser to move on under that roof with head turned upward
and not to watch too closely where the feet may fall, for that pavement,
reverberating rather sadly, has been sullied and blackened by charred
human flesh. It is known that on the day of the conflagration the
church was full of wounded Germans lying on straw mattresses, which
caught fire, and a scene of horror ensued, worthy of a vision of Dante;
all these beings, their green wounds scorched by the flames, dragged
themselves along screaming, on red stumps, trying to win through doors
too narrow. Renowned, too, is the heroism of those stretcher-bearers,
priests and nuns, who risked their lives in the midst of falling bombs
in their attempt to save these unhappy wretches, whom their own German
brothers had not even thought to spare. Yet they did not succeed in
saving all; some remained and were burnt to death in the nave, leaving
unseemly clots of blood on the sacred flagstones, where formerly
processions of kings and queens had slowly trailed their ermine mantles
to the sound of great organs and plain-song.
"Look," said my guide, showing me a wide hole in one of the aisles,
"this is the work of a shell which they hurled at us yesterday evening.
And now come and see the miracle."
And he leads me into the choir where the statue of Joan of Arc,
preserved it may be said by some special Providence, still stands
unharmed, with its eyes of gentle ecstasy.
The most irreparable disaster is the ruin of those great glass windows,
which the mysterious artists of the thirteenth century had piously
wrought in meditation and dreams, assembling together in hundreds,
saints, male and female, with translucent draperies and luminous
aureoles. There again German scrap-iron has crashed through in great
senseless volleys, shattering everything. Irreplaceable masterpieces are
scattered on the flagstones in fragments that can never be
reassembled--golds, reds and blues, of which the secret has been lost.
Vanished are the transparent rainbow colours, perished those saintly
personages, in the pretty simplicity of their attitudes, with their
small, pale, ecstatic faces; a thousand precious fragments of that
glasswork, which in the course of centuries has acquired an iridescence
something in the manner of opals, lie on the ground, where indeed they
still shine like gems.
Public-domain text, read in full here on John Shaqi.
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