At Dulwich the school year is full and various. In addition to the acquisition of knowledge there is much else to engage a boy's interest--cricket, football, fives, swimming, the gymnasium, athletic competitions, the choir; and then those red-letter days--Founder's Day, with its Greek, French or German play, the Prize Distribution and the Concerts. Our son bore his share in every phase of this varied life. He had a warm corner in his heart for the College Mission, which maintains a home in Walworth for boys without friends or relatives and enables them to be trained as skilled artisans. The home has accommodation for twenty-one boys; a married couple look after the house work, and two old Alleynians are in residence. He never failed after he left the College to send an annual subscription anonymously to the Mission funds. An enthusiastic lover of music, he was for years in the College Choir, singing latterly with the basses. At the 1913 Founder's Day celebration Paul took a subsidiary part, that of Fitzwater, in a scene from Shakespeare's _Richard II_, on which occasion the King was brilliantly impersonated by E. F. Clarke (killed in action, April, 1917). On the same occasion Paul was one of the voyageurs in the scenes from _Le Voyage de Monsieur Perrichon_, his amusing by-play in that modest role sending the junior school into roars of laughter. At the 1914 celebration of Founder's Day he took the part of Fluellen in a scene from _Henry V_, and sustained a very different role, that of Karl der Sieberite, in a scene from Schiller's _Jungfrau von Orleans_. Reviewing the performances, _The Alleynian_ said of the former: "In this piece Jones was the comedian. He was clumsy and not quite at home on the boards, but his Welsh was delightful." Of his performances as Charles VII in Schiller's play the critic wrote: The scene chosen is one of the most powerful scenes in the play. It is that in which the King, sceptical of the divine inspiration of the Maid, determines to test her by substituting a courtier upon his throne.... When she is not only not deceived, but proceeds also to interpret many of the King's innermost thoughts, the surprise of the monarch, passing into hushed reverence, calls for a studied piece of careful acting. H. P. M. Jones sustained this part, and sustained it well. He gave it the dignity which it needed, and if his natural gift of physical stature helped him somewhat, so also did the smooth diction and easy repose which he had evidently been at pains to acquire. Of the performance as a whole: "It says a very great deal for the German in the upper part of the school, that a scene can be enacted in which both accent and acting can reach so high a level."