Warwickshire: The Land of ShakespeareHolland, Clive
History
Warwickshire: The Land of Shakespeare
Holland, Clive
Warwickshire (England) -- Description and travel
To this William Compton the King granted an augmentation to his arms
from his own Royal ensigns and devices, and at the beginning of his
reign made him custodian of the castle at Fulbroke, which had fallen
into ruins.
About 1509 Sir William Compton, who had gained great distinction at
the Battle of Spurs, and had been knighted for his gallantry, pulled
down the castle, and with part of the materials—consisting in the main
of some of the stone, the chimneys, and part of the woodwork—set about
building himself a mansion at Compton Wynyates. Tradition asserts that
the chimneys were carried from the ruined castle, for use in the new
mansion, in panniers on the backs of horses and donkeys. Thus was built
one of the most interesting and picturesque mansions of Warwickshire,
and, indeed, of any county in England.
The house was erected round a quadrangle 75 feet square. The four
sides of the building, however, were not designed with exactitude, the
north being 140 feet, the south 146 feet, the east 155 feet, and the
west 152 feet in length. Over the arch of the entrance porch are carved
the arms of Henry VIII., supported by a griffin and a greyhound, above
which is a crown with the inscription, “DOM.REX.HENRICVS.OCTAV.” On
the hollow mouldings of the drip–stone are figures of lizards, other
animals, and roses; whilst on each side is the Tudor double rose of
York and Lancaster beneath a crown. The left–hand spandril is filled in
with a device of Catherine of Aragon formed by the Castle of Castile
and the pomegranate of Granada: also a sheaf of arrows, the badge of
her mother Isabella. The right–hand spandril contains the portcullis,
which was a badge of Henry VIII. Anciently there was, of course, a
drawbridge, and inside the archway on either side are stone benches and
doors which led out to the moat when the drawbridge was raised. The old
oak doors contain a wicket, and still show traces of bombardment from
callivers and matchlocks. But these doors, which are strongly panelled
inside, would appear to have successfully resisted all the attacks made
upon them.
On passing beneath the entrance porch into the inner court one is
at once struck by the beautiful bay–window on the right–hand side
containing eight lights, with mullions and transoms and carved panels,
and battlements above. Between two windows on the left of the door
is a lion’s head carved in stone, which is worth notice, as there is
a tradition that on festive occasions it ran with wine, which was
supplied from the inside of the house and ran into a basin formerly
fixed below the head. This courtyard is rendered more picturesque than
even it would otherwise be by the beautiful flowers and creepers, more
especially the fuchsias, which adorn it.
Public-domain text, read in full here on John Shaqi.
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