Her wrinkles shone, that is, her wrinkles diverged like rays, which
created the impression of shining.
"Yes, grandmother," answered I-330.
The wrinkles continued to shine.
"And the sun, eh,--do you see it, you rogue, you! I know, I know.
It's all right. Go all by yourselves,--I shall remain here in the
sunshine."
Hmm.... Apparently my companion was a frequent guest here. Something
disturbed me; probably that unpleasant optical impression,--the
cloud on the smooth blue surface of the sky.
While we were ascending the wide, dark stairs, I-330 said, "I love
her, that old woman."
"Why?"
"I don't know. Perhaps for her mouth,--or perhaps for nothing, just
so."
I shrugged my shoulders. She continued walking upstairs with a faint
smile or perhaps without a smile at all.
I felt very guilty. It is clear that there must not be "love, just
so," but "love because of." For all elements of nature should be....
"It's clear ..." I began, but I stopped at that word and cast
a furtive look at I-330. Did she notice it or not? She looked
somewhere, down; her eyes were closed like curtains.
It struck me suddenly: evening about twenty-two; you walk on the
avenue and among the brightly lighted, transparent, cubic cells, are
dark spaces, lowered curtains, and there behind the curtains....
What has she behind her curtains? Why did she phone me today? Why
did she bring me here? and all this....
She opened a heavy, squeaking, opaque door and we found ourselves
in a sombre disorderly space (they called it an "apartment"). The
same strange "royal" musical instrument and a wild, unorganized,
crazy loudness of colors and forms like their ancient music. A white
plane above, dark blue walls, red, green, orange bindings of ancient
books, yellow bronze candelabras, a statue of Buddha, furniture
with lines distorted by epilepsy, impossible to reduce to any clear
equation.
I could hardly bear that chaos. But my companion apparently
possessed a stronger constitution.
"This is my most beloved--" she suddenly caught herself (again a
smile,--bite, and white sharp teeth), "to be more exact, the most
nonsensical of all 'apartments'."
"Or to be most exact, of all the States. Thousands of microscopic
States, fighting eternal wars, pitiless like--"
"Oh yes, it's clear," said I-330 with apparent sincerity.
We passed through a room where we found a few small children's beds
(children in those days were also private property). Then more
rooms, glimmering mirrors, sombre closets, unbearably loud-colored
divans, an enormous "fireplace," a large mahogany bed. Our
contemporary beautiful, transparent, eternal glass was represented
here only by pitiful, delicate, tiny squares of windows.
"And to think; here there was love 'just so'; they burned and
tortured themselves" (again the curtain of the eyes was lowered),
"What a stupid, uneconomical spending of human energy. Am I not
right?"
Public-domain text, read in full here on John Shaqi.
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