The cashier put his hands up to his face and burst into tears. The
strain of the previous hour had been too much for him. It was in vain
that Cyril Mowbray slapped him on the back and assured him that the bank
was safe and that his mother and sister might reasonably look forward
to a brilliant future. It was in vain that Mr. Westwood shook him by the
hand, promising never to forget the way in which he had worked through
the crisis. Mr. Calmour refused to be comforted. He continued weeping,
and had to be conveyed to his home in a fly.
Richard Westwood had begged Cyril to drive to Westwood Court and dine
with him; and now the banker was sitting in his bedroom, staring into
the empty grate as he recalled the incidents of the terrible day through
which he had passed.
The boom of the gong which came half an hour later aroused him from
his reverie. He started up with a great sigh, and was surprised to
find himself as weary as if he had had a twenty-mile ride. He went to
a looking-glass and examined his face narrowly. It looked haggard. He
remembered having heard of men's hair becoming grey in a single night.
He quite believed such stories. He thought it strange that his hair
should remain black. He was thirty-six years of age--four years older
than Agnes, and he had noticed that she had many grey hairs--she had
talked of them when they had stood face to face in the bank.
He wondered if waiting for an absent lover was more trying than being
the senior partner in a bank during a severe financial crisis.
He went downstairs to dinner without coming to any satisfactory
conclusion on this rather difficult question.
CHAPTER IV
|Westwood Court had been in the possession of the family of bankers
since the days of George II. It had been built by that Stephen Westwood
whose portrait was painted by Sir Joshua Reynolds. In the picture the
man's right hand carries a scroll bearing a tracing of the plans of the
house. Before it had been completed, however, Sir Thomas Chambers
had something to say in regard to the design, the result being sundry
additions which were meant to impart to the plain English mansion the
appearance of the villa of a Roman patrician.
It was a spacious house situated in the midst of one of the loveliest
parks in Brackenshire--a park containing some glorious timber, some
brilliant spaces of greensward, and a trout stream that was never known
to disappoint an angler, however exacting he might be. It was scarcely
surprising that love for this home was the most prominent of the
characteristics of the Westwood family. Every member of the family,
with but one exception, seemed to have inherited this trait. The one
exception was Claude Westwood, the younger brother of Richard.
Public-domain text, read in full here on John Shaqi.
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