Circus -- Juvenile fiction; Fantasy fiction; Mermaids -- Juvenile fiction; War -- Juvenile fiction
“Makes us look such babies,” said Francis, who would not be above using
a wooden spade at the proper time and place but did not care to be
branded in the face of all Waterloo Junction as one of those kids off
to the seaside with little spades and pails.
Kathleen and Bernard were, however, young enough to derive a certain
pleasure from stroking the smooth, curved surface of the spades till
Aunt Enid came fussing back with the tickets and told them to put their
gloves on for goodness’ sake and try not to look like street children.
I am sorry that the first thing you should hear about the children
should be that they did not care about their Aunt Enid, but this was
unfortunately the case. And if you think this was not nice of them I
can only remind you that you do not know their Aunt Enid.
There was a short, sharp struggle with the porter, a flustered passage
along the platform and the children were safe in the carriage marked
“Reserved”—thrown into it, as it were, with all that small fry of
luggage which I have just described. Then Aunt Enid fussed off again to
exchange a few last home truths with the porter, and the children were
left.
“We breathe again,” said Mavis.
“Not yet we don’t,” said Francis, “there’ll be some more fuss as soon
as she comes back. I’d almost as soon not go to the sea as go with her.”
“But you’ve never seen the sea,” Mavis reminded him.
“I know,” said Francis, morosely, “but look at all this—” he indicated
the tangle of their possessions which littered seats and rack—“I do
wish—”
He stopped, for a head appeared in the open doorway—in a round hat very
like Aunt Enid’s—but it was not Aunt Enid’s. The face under the hat was
a much younger, kinder one.
“I’m afraid this carriage is reserved,” said the voice that belonged to
the face.
“Yes,” said Kathleen, “but there’s lots of room if you like to come
too.”
“I don’t know if the aunt we’re with would like it,” said the more
cautious Mavis. “We should, of course,” she added to meet the kind
smiling eyes that looked from under the hat that was like Aunt Enid’s.
The lady said: “I’m an aunt too—I’m going to meet my nephew at the
junction. The train’s frightfully crowded.... If I were to talk to your
aunt ... perhaps on the strength of our common aunthood. The train will
start in a minute. I haven’t any luggage to be a bother—nothing but one
paper.”—she had indeed a folded newspaper in her hands.
“Oh, do get in,” said Kathleen, dancing with anxiety, “I’m sure Aunt
Enid won’t mind,”—Kathleen was always hopeful—“suppose the train were
to start or anything!”
“Well, if you think I may,” said the lady, and tossed her paper into
the corner in a lighthearted way which the children found charming. Her
pleasant face was rising in the oblong of the carriage doorway, her
foot was on the carriage step, when suddenly she retreated back and
down. It was almost as though someone pulled her off the carriage step.
Public-domain text, read in full here on John Shaqi.
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