Circus -- Juvenile fiction; Fantasy fiction; Mermaids -- Juvenile fiction; War -- Juvenile fiction
THE DELICATE pinkish bloom of newness was on the wooden spades, the
slick smoothness of the painted pails showed neither scratch nor dent
on their green and scarlet surface—the shrimping nets were full and
fluffy as, once they and sand and water had met, they never could be
again. The pails and spades and nets formed the topmost layer of a
pile of luggage—you know the sort of thing, with the big boxes at the
bottom; and the carryall bulging with its wraps and mackers; the old
portmanteau that shows its striped lining through the crack and is so
useful for putting boots in; and the sponge bag, and all the little
things that get left out. You can almost always squeeze a ball or a
paint box or a box of chalks or any of those things—which grown-ups say
you won’t really want till you come back—into that old portmanteau—and
then when it’s being unpacked at the journey’s end the most that can
happen will be that someone will say, “I thought I told you not to
bring that,” and if you don’t answer back, that will be all. But most
likely in the agitation of unpacking and settling in, your tennis ball,
or pencil box, or whatever it is, will pass unnoticed. Of course, you
can’t shove an aquarium into the old portmanteau—nor a pair of rabbits,
nor a hedgehog—but anything in reason you can.
The luggage that goes in the van is not much trouble—of course, it
has to be packed and to be strapped, and labeled and looked after at
the junction, but apart from that the big luggage behaves itself,
keeps itself to itself, and like your elder brothers at college never
occasions its friends a moment’s anxiety. It is the younger fry of the
luggage family, the things you have with you in the carriage that are
troublesome—the bundle of umbrellas and walking sticks, the golf clubs,
the rugs, the greatcoats, the basket of things to eat, the books you
are going to read in the train and as often as not you never look at
them, the newspapers that the grown-ups are tired of and yet don’t want
to throw away, their little bags or dispatch cases and suitcases and
card cases, and scarfs and gloves—
The children were traveling under the care of Aunt Enid, who always had
far more of these tiresome odds and ends than Mother had—and it was at
the last moment, when the cab was almost to be expected to be there,
that Aunt Enid rushed out to the corner shop and returned with four new
spades, four new pails, and four new shrimping nets, and presented them
to the children just in time for them to be added to the heap of odds
and ends with which the cab was filled up.
“I hope it’s not ungrateful,” said Mavis at the station as they
stood waiting by the luggage mound while Aunt Enid went to take the
tickets—“but why couldn’t she have bought them at Beachfield?”
Public-domain text, read in full here on John Shaqi.
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