What Every Woman KnowsBarrie, J. M. (James Matthew)
General
What Every Woman Knows
Barrie, J. M. (James Matthew)
Comedy plays; Man-woman relationships -- Drama
[A few minutes ago the Comtesse de la Briere, who has not recently been
in England, was shown into the London home of the Shands. Though not
sufficiently interested to express her surprise in words, she raised her
eyebrows on finding herself in a charming room; she has presumed that
the Shand scheme of decoration would be as impossible as themselves.
It is the little room behind the dining-room for which English
architects have long been famous; ‘Make something of this, and you will
indeed be a clever one,’ they seem to say to you as they unveil it. The
Comtesse finds that John has undoubtedly made something of it. It is his
‘study’ (mon Dieu, the words these English use!) and there is nothing
in it that offends; there is so much not in it too that might so easily
have been there. It is not in the least ornate; there are no colours
quarrelling with each other (unseen, unheard by the blissful occupant of
the revolving chair); the Comtesse has not even the gentle satisfaction
of noting a ‘suite’ in stained oak. Nature might have taken a share in
the decorations, so restful are they to the eyes; it is the working
room of a man of culture, probably lately down from Oxford; at a first
meeting there is nothing in it that pretends to be what it is not. Our
visitor is a little disappointed, but being fair-minded blows her absent
host a kiss for disappointing her.
He has even, she observes with a twinkle, made something of the most
difficult of his possessions, the little wife. For Maggie, who is here
receiving her, has been quite creditably toned down. He has put her
into a little grey frock that not only deals gently with her personal
defects, but is in harmony with the room. Evidently, however, she has
not ‘risen’ with him, for she is as ever; the Comtesse, who remembers
having liked her the better of the two, could shake her for being so
stupid. For instance, why is she not asserting herself in that other
apartment?
The other apartment is really a correctly solemn dining-room, of which
we have a glimpse through partly open folding-doors. At this moment
it is harbouring Mr. Shand’s ladies’ committee, who sit with pens and
foolscap round the large table, awaiting the advent of their leader.
There are nobly wise ones and some foolish ones among them, for we are
back in the strange days when it was considered ‘unwomanly’ for women to
have minds. The Comtesse peeps at them with curiosity, as they arrange
their papers or are ushered into the dining-room through a door which we
cannot see. To her frivolous ladyship they are a species of wild fowl,
and she is specially amused to find her niece among them. She demands an
explanation as soon as the communicating doors close.]
COMTESSE. Tell me since when has my dear Sybil become one of these
ladies? It is not like her.
[MAGGIE is obviously not clever enough to understand the woman question.
Her eye rests longingly on a half-finished stocking as she innocently
but densely replies:]
Public-domain text, read in full here on John Shaqi.
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