"No; I mean just what I say: there is nothing like it. I do not care a straw whether one scene be more or less beautiful than another; what I do care for is--its individual speech to my soul. I feel towards visions of nature as towards writers. If a book or a prospect produces in my mind a mood that no other produces, then I feel it individual, original, real, therefore precious. If a scene or a song play upon the organ of my heart as no other scene or song could, why should I ask at all whether it be beautiful? A bare hill may be more to me than a garden of Damascus, but I love them both. The first question as to any work of art is whether it puts the willing soul into any mood at all peculiar; the second, what that mood is. It matters to me little by whom our Ossian was composed, and it matters nothing whoever may in his ignorance declare that there never was an Ossian any more than a Homer: here is a something that has power over my heart and soul, works upon them as not anything else does. I do not ask whether its power be great or small; it is enough that it is a peculiar power, one by itself; that it puts my spiritual consciousness in a certain individual condition, such in character as nothing else can occasion. Either a man or a nation must have felt to make me so feel." They were now climbing the last slope of the hill on whose top stood their playhouse, dearer now than in their boyhood. Alister occasionally went there for a few hours' solitude, and Ian would write there for days at a time, but in general when they visited the place it was together. Alister unlocked the door and they entered. Unwilling to spend labour on the introductory, they had made the first chamber hardly larger than the room required for opening the door. Immediately within, another door opened into a room of about eight feet by twelve, with two small windows. Its hearth was a projection from the floor of the live stone; and there, all ready for lighting, was a large pile of peats. The chimney went up through the rock, and had been the most difficult part of their undertaking. They had to work it much wider than was necessary for the smoke, and then to reduce its capacity with stone and lime. Now and then it smoked, but peat-smoke is sweet. The first thing after lighting the fire, was to fill their kettle, for which they had to take off the snow-lid of a small spring near at hand. Then they made a good meal of tea, mutton-ham, oatcakes and butter. The only seats in the room were a bench in each of two of the walls, and a chair on each side of the hearth, all of the live rock.