From this opened two rooms more--one a bedroom, with a bed in the rock-wall, big enough for two. Dry heather stood thick between the mattress and the stone. The third room, of which they intended making a parlour, was not yet more than half excavated; and there, when they had rested a while, they began to bore and chip at the stone. Their progress was slow, for the grain was close: never, even when the snow above was melting, had the least moisture come through. For a time they worked and talked: both talked better when using their hands. Then Alister stopped, and played while Ian went on; Ian stopped next, and read aloud from a manuscript he had brought, while his brother again worked. But first he gave Alister the history of what he was going to read. It was suggested, he said, by that strange poem of William Mayne's, called "The Dead Man's Moan," founded on the silly notion that the man himself is buried, and not merely his body. "I wish I were up to straught my banes, And drive frae my face the cauld, dead air; I wish I were up, that the friendly rains Micht wash the dark mould frae my tangled hair!" quoted Ian, and added, "I thought I should like to follow out the idea, and see what ought to come of it. I therefore supposed a person seized by something of the cataleptic kind, from which he comes to himself still in the body, but unable to hold communication with the outer world. He thinks therefore that he is dead and buried. Recovering from his first horror, he reflects that, as he did not make himself think and feel, nor can cease to think and feel if he would, there must be somewhere--and where but within himself?--the power by which he thinks and feels, a power whose care it must be, for it can belong to no other, to look after the creature he has made. Then comes to him the prayer of Job, 'Oh that thou wouldst hide me in the grave till thy anger with me was past! Then wouldst thou desire to see again the work of thy hands, the creature thou hadst made! Then wouldst thou call, and I would answer.' So grandly is the man comforted thereby, that he breaks out in a dumb song of triumph over death and the grave. As its last tone dies in him, a kiss falls upon his lips. It is the farewell of the earth; the same moment he bursts the bonds and rises above the clouds of the body, and enters into the joy of his Lord." Having thus prepared Alister to hear without having to think as well as attend, which is not good for poetry, Ian read his verses. I will not trouble my reader with them; I am sure he would not think so well of them as did Alister. What Ian desired was sympathy, not admiration, but from Alister he had both.