What the Swallow Sang: A NovelSpielhagen, Friedrich
General
What the Swallow Sang: A Novel
Spielhagen, Friedrich
Fiction
From the broader, but completely neglected road that had hitherto
followed the course of the forest stream, and, turning to the right,
still pursued its windings deeper into the woods to the sea, a
foot-path branched off to the left and led upward, at first between the
trunks of huge trees, but gradually through more and more stunted
underbrush, which finally dwindled into heather and broom that covered
the whole crest of the hill to its highest point, where the men of
ancient times, in memory of one of their princes, had reared a huge
monument of massive blocks of stone, now covered with thick moss, and
partly buried in the earth. It was the spot from which Gotthold, with
an unsteady hand, had made the colored sketch he afterwards used for
the painting that hung in Frau Wollnow's room.
And now he stood there again, after ten long years--in, the shadow of
one of the blocks of stone which protected him from the burning rays of
the sun, while before him stretched the landscape with whose wondrous
beauty the boy's eyes had never been satiated. Ah! Time had not
obliterated a single charm; nay, it seemed as if the hour was expressly
adapted to show him the Paradise of his youth in all its magic.
The hour of noon! The brilliant sunlight bathed the tops of the
beeches, over which his eyes wandered to emerald meadows and golden
cornfields--the meadows and fields of Dollan, which lay like a quiet
sunny Eden among the shaded, wood-covered hills that enclosed it on all
sides. Amid the meadows and fields, relieved against the darker foliage
of the trees in the garden, appeared the straw thatched roofs of the
farm buildings, and the tiled roof of the long, low mansion-house, in
whose red gable he could distinctly perceive the tiny window of the
little room he had occupied with Curt whenever he went to Dollan. What
memories that little window evoked! It seemed as if his eyes were fixed
upon it by some magic spell, and could scarcely turn away either to the
right, where the hills opened and afforded a view of the blue sea upon
which the distant white sails glittered like stars, or to the left, to
glance over the wide brown moorland, upon which the lonely smithy stood
under an ancient oak, the only tree in the shadeless waste, above whose
verge towered other wood-crowned heights which closed the view on the
land side.
Public-domain text, read in full here on John Shaqi.
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