What the Swallow Sang: A NovelSpielhagen, Friedrich
General
What the Swallow Sang: A Novel
Spielhagen, Friedrich
Fiction
The hour of noon, the hour of the great Pan! Not the faintest breath
stirred the shining air; motionless were the dazzling white clouds upon
the steel blue vault of the heavens; motionless the tops of the trees,
the blossoming bushes, even the long blades of grass. Not a sound
disturbed the profound stillness; even the locust, which had chirped
among the stones of the giant's monument, was silent, perhaps terrified
by the brown serpent, which, with its head upraised and its round
glittering eyes fixed steadily upon Gotthold, lay motionless upon one
of the masses of rock a few paces off, with the rest of its scaly body
buried in a dense mass of heather. He had not noticed it before, and
now perceived it with a sort of shudder. It seemed as if the torpor
into which Nature had sunk had been embodied; as if the spirit of
loneliness and desolation had assumed a material form. Woe betide you
when the loneliness of yonder mansion with its neglected garden, the
desolation of this remote valley, so far away from all human society,
stares at you with those cold, cruel eyes; when you listen in the
stillness for a beloved voice, and hear only the blood seething in your
temples, and the heavy, anxious throbbing of your heart.
Avaunt, fiend, avaunt!
He raised his staff; the serpent disappeared; when he reached the rock
upon which it must have been lying, he could see nothing but the
swaying of the flowers through whose closely interwoven roots it was
gliding away.
Or was it only an illusion of his excited fancy, and did the flowers
bend to the soft breeze that now breathed through the hot air, growing
constantly stronger and stronger, so that a rustling and murmuring
arose in the forest behind him, the treetops at his feet began to
whisper, and at last the cool fresh wind from the sea blew over the
panting earth.
The spell was broken; Gotthold again looked at the landscape; but now
with the eye of the artist, who is seeking to obtain the best view of
his subject.
"I chose the morning light then, if one can call it choice; it was a
mistake and I must arrange the atmospheric effect artistically, but the
sun should be at a moderate height above the horizon, almost directly
over the smithy; that will be about six o'clock, and I can have what I
need until eight. I think it will prove a picture which might satisfy
others as well as yonder talkative lady."
CHAPTER VII.
Public-domain text, read in full here on John Shaqi.
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