What Will He Do with It? — Volume 06Lytton, Edward Bulwer Lytton, Baron
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What Will He Do with It? — Volume 06
Lytton, Edward Bulwer Lytton, Baron
English fiction -- 19th century
Lionel, wishing to hear no more, glided by, and penetrated farther into
the throng. And then, as he proceeded, with those last words on his ear,
the consciousness came upon him that his position had undergone a change.
Difficult to define it; to an ordinary bystander people would have seemed
to welcome him cordially as ever. The gradations of respect in polite
society are so exquisitely delicate, that it seems only by a sort of
magnetism that one knows from day to day whether one has risen or
declined. A man has lost high office, patronage, power, never perhaps to
regain them. People don't turn their backs on him; their smiles are as
gracious, their hands as flatteringly extended. But that man would be
dull as a rhinoceros if he did not feel--as every one who accosts him
feels--that he has descended in the ladder. So with all else. Lose even
your fortune, it is not the next day in a London drawing-room that your
friends look as if you were going to ask them for five pounds. Wait a
year or so for that. But if they have just heard you are ruined, you
will feel that they have heard it, let them bow ever so courteously,
smile ever so kindly. Lionel at Paris, in the last year or so, had been
more than fashionable: he had been the fashion,--courted, run after,
petted, quoted, imitated. That evening he felt as an author may feel who
has been the rage, and without fault of his own is so no more. The rays
that had gilded him had gone back to the orb that lent. And they who
were most genial still to Lionel Haughton were those who still most
respected thirty-five thousand pounds a year--in Guy Darrell!
Lionel was angry with himself that he felt galled. But in his wounded
pride there was no mercenary regret,--only that sort of sickness which
comes to youth when the hollowness of worldly life is first made clear to
it. From the faces round him there fell that glamour by which the /amour
propre/ is held captive in large assemblies, where the /amour propre/ is
flattered. "Magnificent, intelligent audience," thinks the applauded
actor. "Delightful party," murmurs the worshipped beauty. Glamour!
glamour! Let the audience yawn while the actor mouths; let the party
neglect the beauty to adore another, and straightway the "magnificent
audience" is an "ignorant public," and the "delightful party" a
"heartless world."
CHAPTER IX.
Escaped from a London drawing-room, flesh once more tingles and
blood flows.--Guy Darrell explains to Lionel Haughton why he holds
it a duty to be an old fool.
Lionel Haughton glided through the disenchanted rooms, and breathed a
long breath of relief when he found himself in the friendless streets.
As he walked slow and thoughtful on, he suddenly felt a hand upon his
shoulder, turned, and saw Darrell.
"Give me your arm, my dear Lionel; I am tired out. What a lovely night!
What sweet scorn in the eyes of those stars that we have neglected for
yon flaring lights."
Public-domain text, read in full here on John Shaqi.
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