What Will He Do with It? — Volume 06Lytton, Edward Bulwer Lytton, Baron
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What Will He Do with It? — Volume 06
Lytton, Edward Bulwer Lytton, Baron
English fiction -- 19th century
LIONEL.--"Is it scorn? is it pity? is it but serene indifference?"
DARRELL.--"As we ourselves interpret: if scorn be present in our own
hearts, it will be seen in the disc of Jupiter. Man, egotist though he
be, exacts sympathy from all the universe. Joyous, he says to the sun,
'Life-giver, rejoice with me.' Grieving, he says to the moon, 'Pensive
one, thou sharest my sorrow.' Hope for fame; a star is its promise!
"Mourn for the dead; a star is the land of reunion! Say to earth, 'I have
done with thee;' to Time, 'Thou hast nought to bestow;' and all space
cries aloud, 'The earth is a speck, thine inheritance infinity. Time
melts while thou sighest. The discontent of a mortal is the instinct
that proves thee immortal.' Thus construing Nature, Nature is our
companion, our consoler. Benign as the playmate, she lends herself to
our shifting humours. Serious as the teacher, she responds to the
steadier inquiries of reason. Mystic and hallowed as the priestess, she
keeps alive by dim oracles that spiritual yearning within us, in which,
from savage to sage,--through all dreams, through all creeds,--thrills
the sense of a link with Divinity. Never, therefore, while conferring
with Nature, is Man wholly alone, nor is she a single companion with
uniform shape. Ever new, ever various, she can pass from gay to severe,
from fancy to science,--quick as thought passes from the dance of a leaf,
from the tint of a rainbow, to the theory of motion, the problem of
light. But lose Nature, forget or dismiss her, make companions, by
hundreds, of men who ignore her, and I will not say with the poet, 'This
is solitude.' But in the commune, what stale monotony, what weary
sameness!"
Thus Darrell continued to weave together sentence with sentence, the
intermediate connection of meaning often so subtle that when put down on
paper it requires effort to discern it. But it was his peculiar gift to
make clear when spoken what in writing would seem obscure. Look, manner,
each delicate accent in a voice wonderfully distinct in its unrivalled
melody, all so aided the sense of mere words that it is scarcely
extravagant to say he might have talked an unknown language, and a
listener would have understood. But, understood or not, those sweet
intonations it was such delight to hear that any one with nerves alive to
music would have murmured, "Talk on forever." And in this gift lay one
main secret of the man's strange influence over all who came familiarly
into his intercourse; so that if Darrell had ever bestowed confidential
intimacy on any one not by some antagonistic idiosyncrasy steeled against
its charm, and that intimacy had been withdrawn, a void never to be
refilled must have been left in the life thus robbed.
Stopping at his door, as Lionel, rapt by the music, had forgotten the
pain of the revery so bewitchingly broken, Darrell detained the hand held
out to him, and said, "No, not yet; I have something to say to you: come
in; let me say it now."
Public-domain text, read in full here on John Shaqi.
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