What Will He Do with It? — Volume 10Lytton, Edward Bulwer Lytton, Baron
General
What Will He Do with It? — Volume 10
Lytton, Edward Bulwer Lytton, Baron
English fiction -- 19th century
In a few minutes more, Losely was again on horseback; and as he rode
towards Ouzelford, Rugge and his dusty Faithful shambled on in the
opposite direction--shambled on, footsore and limping, along the wide,
waste, wintry thoroughfare--vanishing from the eye, as their fates
henceforth from this story. There they go by the white hard milestone;
farther on, by the trunk of the hedgerow-tree, which lies lopped and
leafless--cumbering the wayside, till the time come to cast it off to the
thronged, dull stackyard. Farther yet, where the ditch widens into yon
stagnant pool, with the great dung-heap by its side. There the road
turns aslant; the dung-heap hides them. Gone! and not a speck on the
Immemorial, Universal Thoroughfare.
CHAPTER V.
NO WIND SO CUTTING AS THAT WHICH SETS IN THE QUARTER FROM WHICH THE
SUN RISES.
The town to which I lend the disguising name of Ouzelford, which, in
years bygone, was represented by Guy Darrell, and which, in years to
come, may preserve in its municipal hall his effigies in canvas or stone,
is one of the handsomest in England. As you approach its suburbs from
the London Road, it rises clear and wide upon your eye, crowning the
elevated table-land upon which it is built;--a noble range of prospect on
either side, rich with hedgerows not yet sacrificed to the stern demands
of modern agriculture--venerable woodlands, and the green pastures round
many a rural thane's frank, hospitable hall;--no one Great House
banishing from leagues of landscape the abodes of knight and squire, nor
menacing, with "the legitimate influence of property," the votes of
rebellious burghers. Everywhere, like finger-posts to heaven, you may
perceive the church-towers of rural hamlets embosomed in pleasant
valleys, or climbing up gentle slopes. At the horizon, the blue
fantastic outline of girdling hills mingles with the clouds. A famous
old cathedral, neighboured by the romantic ivy-grown walls of a ruined
castle, soars up from the centre of the town, and dominates the whole
survey--calm, as with conscious power. Nearing the town, the villas of
merchants and traders, released perhaps from business, skirt the road,
with trim gardens and shaven lawns. Now the small river, or rather
rivulet, of Ouzel, from which the town takes its name, steals out from
deep banks covered with brushwood or aged trees, and widening into brief
importance, glides under the arches of an ancient bridge; runs on, clear
and shallow, to refresh low fertile dairy-meadows, dotted with kine; and
finally quits the view, as brake and copse close round its narrowing,
winding way; and that which, under the city bridge, was an imposing
noiseless stream, becomes, amidst rustic solitudes, an insignificant
babbling brook.
Public-domain text, read in full here on John Shaqi.
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