What Will He Do with It? — Volume 12Lytton, Edward Bulwer Lytton, Baron
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What Will He Do with It? — Volume 12
Lytton, Edward Bulwer Lytton, Baron
English fiction -- 19th century
It is the grey of the evening. Fairthorn is sauntering somewhat sullenly
along the banks of the lake. He has missed, the last three days, his
walk with Sophy--missed the pleasing excitement of talking at her, and of
the family in whose obsolete glories he considers her very interest an
obtrusive impertinence. He has missed, too, his more habitual and less
irritating conversation with Darrell. In short, altogether he is put
out, and he vents his spleen on the swans, who follow him along the wave
as he walks along the margin, intimating either their affection for
himself, or their anticipation of the bread-crumbs associated with his
image--by the amiable note, half snort and half grunt, to which change of
time or climate has reduced the vocal accomplishments of those classical
birds, so pathetically melodious in the age of Moschus and on the banks
of Cayster.
"Not a crumb, you unprincipled beggars," growled the musician. "You
imagine that mankind are to have no other thought but that of supplying
you with luxuries! And if you were asked, in a competitive examination,
to define ME, your benefactor, you would say: 'A thing very low in the
scale of creation, without wings or even feathers, but which Providence
endowed with a peculiar instinct for affording nutritious and palatable
additions to the ordinary aliment of Swans!' Ay, you may grunt; I wish I
had you--in a pie!"
Slowly, out through the gap between yon grey crag and the thorn-tree,
paces the doe, halting to drink just where the faint star of eve shoots
its gleam along the wave. The musician forgets the swans and quickens
his pace, expecting to meet the doe's wonted companion. He is not
disappointed. He comes on Guy Darrell where the twilight shadow falls
darkest between the grey crag and the thorn-tree.
"Dear Fellow Hermit," said Darrell, almost gaily, yet with more than
usual affection in his greeting and voice, "you find me just when I want
you. I am as one whose eyes have been strained by a violent conflict of
colours, and your quiet presence is like the relief of a return to green.
I have news for you, Fairthorn. You, who know more of my secrets than
any other man, shall be the first to learn a decision that must bind you
and me more together--but not in these scenes, Dick.
'Ibimus--ibimus!
--------------------Supremum
Carpere iter, comites, parati!'"
"What do you mean, sir?" asked Fairthorn. "My mind always misgives me
when I hear you quoting Horace. Some reflection about the certainty of
death, or other disagreeable subjects, is sure to follow!"
"Death! No, Dick--not now. Marriage-bells and joy, Dick! We shall have
a wedding!"
"What! You will marry at last! And it must be that beautiful Caroline
Lyndsay! It must--it must! You can never love another! You know it, my
dear, dear master. I shall see you, then, happy before I die."
Public-domain text, read in full here on John Shaqi.
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