When the Birds Begin to SingGraham, Winifred (Matilda Winifred Muriel)
General
When the Birds Begin to Sing
Graham, Winifred (Matilda Winifred Muriel)
English fiction -- 19th century
"Just as we were all so comfortable in the gloaming!" pulling her hand
from Bertie's with a pout.
"Butterflies should like light better than darkness," he drawls.
"I want to look round now," cries Eleanor, enthusiastically viewing the
beautiful room. "Anyone could see that Giddy had something to do with
this."
"Here is a pretty little writing-table behind a screen, with a
rose-coloured lamp," says Carol. "When you are a member, Mrs. Roche,
will you sometimes write to me?"
"What should I have to say?" she asks innocently, surprised at the
suggestion.
"Tell me about yourself, if only in one line: 'I live--I breathe--I have
my being.'"
"What an odd letter!"
"I like odd things, I like odd people; I hate conventionality, and scorn
the commonplace. I know a girl who always speaks the truth, and
everybody hates her. She glories in it."
"How splendid to be hated for such a cause!" declares Eleanor.
"She never will embrace a woman she dislikes, so many people think it is
necessary, and the kiss of detestation is more fashionable in Society
than that of real affection. For myself, I think a kiss is overrated.
It should be looked on in the light of a hand-shake--harmless and
agreeable, a mark of courtesy, endearment or respect."
"Then you would have to explain it," says Eleanor. "'I kiss you because
I idolise you;' 'I kiss you because you are estimable;' 'I kiss you
because you are rich and entertain me.' No, it would never answer."
She is fingering the delicate, scented writing paper.
"How nice this address is in gold, with a big butterfly in the corner. I
have some invitations to answer, and I should like to do it here--it
looks so well."
Eleanor seats herself, and draws the paper towards her. "Mrs. Roche
regrets that, owing to no previous engagement, she is unable to accept
Mrs. B's dull invitation for Thursday!"
Carol laughs.
"Have you an 'At home' on Thursday week?"
"Yes, but I shall decline it."
"Don't," he whispers. "Accept--let them expect you--and fail to turn up.
Come and meet me instead."
Eleanor trembles suddenly and grows pale. She feels herself face to face
with temptation.
"No," she replies faintly. "But I shall be in, and _if_ you call----"
"'If'! there is no 'if' in the matter. I would come every day if you let
me."
"Every day!" Oh! how alluring it sounds.
She twists her wedding ring round and round, looking down on the carpet.
She remembers the pattern that night in her dreams, a red Maltese cross
on a blue ground. The blue and red swim before her eyes now like the
colours in a kaleidoscope. A solitary tear rises in her left eye and
falls on the blotter.
"If only I might do as I like!" she murmurs.
"'Might' is a word you could blot from your vocabulary. Why not?"
"Oh! don't--don't--don't," as he lays his hand on hers, and the touch
thrills her with bewildering emotion.
"Where is Giddy? Oh! Giddy, take me home; it is nearly half-past five,
and Philip will be back."
Public-domain text, read in full here on John Shaqi.
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