When the Birds Begin to SingGraham, Winifred (Matilda Winifred Muriel)
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When the Birds Begin to Sing
Graham, Winifred (Matilda Winifred Muriel)
English fiction -- 19th century
What would Eleanor's mother say could she see her precious heirloom
donned hastily on this busy market morning, to adorn her daughter's
neck for a stroll through the fields! It is sacrilege surely, but the
prize!
The girl closes the cupboard noiselessly, creeping away like a criminal
out into the glaring day. Her eyes dance, her cheeks are flushed, and
her hair escaping (as if by accident) from its neat braids, waves in
dainty tendrils round her ears.
"I _am_ beautiful," she murmurs to herself, "why not? Stranger things
have happened--Eleanor Roche, the wife of a rich man--oh!"
The last is a gasp of hitherto unexpressed surprise at the audacity of
her day dreams.
Philip is waiting by the barley field, watching for her. As she sees
him she slackens her steps, not wishing to appear over anxious for the
rendezvous. He advances eagerly, grasps her hands, and devours her
with his eyes.
"So we meet again, Eleanor," he whispers. "I _must_ call you Eleanor;
you don't mind?"
A bold answer that inwardly makes her tremble enters the girl's head.
Why not place herself on an equality with him at once? She nerves
herself to reply:
"Not if I may call you Philip?"
A look of amused surprise flits over Mr. Roche's features. What a
naive, childlike manner Eleanor possesses!
"Of course," he replies, pulling the small hand through his arm, and
turning out of the public thoroughfare.
"I wonder what you think of me?" asks Eleanor unhesitatingly.
The great sparkling eyes are raised to his with genuine curiosity in
their depths. She is not seeking a compliment; far from it, she really
wants to know, and is waiting for the truth.
He looks from the blue eyes of the girl to the little blue bird's-eye
growing on a bank of clover. She pauses while he stoops to gather the
tiny flower.
"You see this," he says.
"Yes."
"It is only a field blossom blooming unnoticed in this sweet country
atmosphere, yet to me a thousand times fairer than the exotics and
hot-house plants which naturally demand admiration. I love this little
flower," pressing the tender blue to his lips, "because it is wild and
untrained. It appeals to me. It is like you, Eleanor!"
A flush of offence arises to her cheeks.
"Wild!" "Untrained!" the words sting Miss Grebby's pride.
"I did not think you would compare me to a _weed_!" she retorts,
tossing her head proudly.
But Philip will not see he has offended, and continues in the same
strain.
"Don't despise the weeds, Eleanor; they were placed in their
uncultivated beds by Nature's hand, and have as much right to be called
beautiful as any other creation."
He speaks to her authoritatively, and she looks at his strong,
masterful expression with a gradual sense of awe.
"I should not have thought you would care for flowers."
"Why not? Does it seem childish in your eyes to soliloquise over a
wayside 'weed,' as you call it?"
His questions perplex her. She is silent.
Public-domain text, read in full here on John Shaqi.
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