Where Angels Fear to TreadForster, E. M. (Edward Morgan)
General
Where Angels Fear to Tread
Forster, E. M. (Edward Morgan)
Culture conflict -- Fiction; Historical fiction; Humorous stories; Middle class -- England -- Fiction
The second silence took place. They had left the plain now and
were climbing up the outposts of the hills, the olive-trees still
accompanying. The driver, a jolly fat man, had got out to ease the
horses, and was walking by the side of the carriage.
“I understood they met at the hotel.”
“It was a mistake of Mrs. Theobald’s.”
“I also understand that he is a member of the Italian nobility.”
She did not reply.
“May I be told his name?”
Miss Abbott whispered, “Carella.” But the driver heard her, and a grin
split over his face. The engagement must be known already.
“Carella? Conte or Marchese, or what?”
“Signor,” said Miss Abbott, and looked helplessly aside.
“Perhaps I bore you with these questions. If so, I will stop.”
“Oh, no, please; not at all. I am here--my own idea--to give all
information which you very naturally--and to see if somehow--please ask
anything you like.”
“Then how old is he?”
“Oh, quite young. Twenty-one, I believe.”
There burst from Philip the exclamation, “Good Lord!”
“One would never believe it,” said Miss Abbott, flushing. “He looks much
older.”
“And is he good-looking?” he asked, with gathering sarcasm.
She became decisive. “Very good-looking. All his features are good, and
he is well built--though I dare say English standards would find him too
short.”
Philip, whose one physical advantage was his height, felt annoyed at her
implied indifference to it.
“May I conclude that you like him?”
She replied decisively again, “As far as I have seen him, I do.”
At that moment the carriage entered a little wood, which lay brown and
sombre across the cultivated hill. The trees of the wood were small and
leafless, but noticeable for this--that their stems stood in violets as
rocks stand in the summer sea. There are such violets in England,
but not so many. Nor are there so many in Art, for no painter has the
courage. The cart-ruts were channels, the hollow lagoons; even the
dry white margin of the road was splashed, like a causeway soon to be
submerged under the advancing tide of spring. Philip paid no attention
at the time: he was thinking what to say next. But his eyes had
registered the beauty, and next March he did not forget that the road to
Monteriano must traverse innumerable flowers.
“As far as I have seen him, I do like him,” repeated Miss Abbott, after
a pause.
He thought she sounded a little defiant, and crushed her at once.
“What is he, please? You haven’t told me that. What’s his position?”
She opened her mouth to speak, and no sound came from it. Philip waited
patiently. She tried to be audacious, and failed pitiably.
“No position at all. He is kicking his heels, as my father would say.
You see, he has only just finished his military service.”
“As a private?”
“I suppose so. There is general conscription. He was in the Bersaglieri,
I think. Isn’t that the crack regiment?”
“The men in it must be short and broad. They must also be able to walk
six miles an hour.”
Public-domain text, read in full here on John Shaqi.
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