Where Angels Fear to TreadForster, E. M. (Edward Morgan)
General
Where Angels Fear to Tread
Forster, E. M. (Edward Morgan)
Culture conflict -- Fiction; Historical fiction; Humorous stories; Middle class -- England -- Fiction
She looked at him wildly, not understanding all that he said, but
feeling that he was very clever. Then she continued her defence of
Signor Carella.
“And now, like most young men, he is looking out for something to do.”
“Meanwhile?”
“Meanwhile, like most young men, he lives with his people--father,
mother, two sisters, and a tiny tot of a brother.”
There was a grating sprightliness about her that drove him nearly mad.
He determined to silence her at last.
“One more question, and only one more. What is his father?”
“His father,” said Miss Abbott. “Well, I don’t suppose you’ll think it
a good match. But that’s not the point. I mean the point is not--I mean
that social differences--love, after all--not but what--I--”
Philip ground his teeth together and said nothing.
“Gentlemen sometimes judge hardly. But I feel that you, and at
all events your mother--so really good in every sense, so really
unworldly--after all, love-marriages are made in heaven.”
“Yes, Miss Abbott, I know. But I am anxious to hear heaven’s choice. You
arouse my curiosity. Is my sister-in-law to marry an angel?”
“Mr. Herriton, don’t--please, Mr. Herriton--a dentist. His father’s a
dentist.”
Philip gave a cry of personal disgust and pain. He shuddered all over,
and edged away from his companion. A dentist! A dentist at Monteriano. A
dentist in fairyland! False teeth and laughing gas and the tilting
chair at a place which knew the Etruscan League, and the Pax Romana,
and Alaric himself, and the Countess Matilda, and the Middle Ages, all
fighting and holiness, and the Renaissance, all fighting and beauty! He
thought of Lilia no longer. He was anxious for himself: he feared that
Romance might die.
Romance only dies with life. No pair of pincers will ever pull it out of
us. But there is a spurious sentiment which cannot resist the unexpected
and the incongruous and the grotesque. A touch will loosen it, and the
sooner it goes from us the better. It was going from Philip now, and
therefore he gave the cry of pain.
“I cannot think what is in the air,” he began. “If Lilia was determined
to disgrace us, she might have found a less repulsive way. A boy of
medium height with a pretty face, the son of a dentist at Monteriano.
Have I put it correctly? May I surmise that he has not got one penny?
May I also surmise that his social position is nil? Furthermore--”
“Stop! I’ll tell you no more.”
“Really, Miss Abbott, it is a little late for reticence. You have
equipped me admirably!”
“I’ll tell you not another word!” she cried, with a spasm of terror.
Then she got out her handkerchief, and seemed as if she would shed
tears. After a silence, which he intended to symbolize to her the
dropping of a curtain on the scene, he began to talk of other subjects.
Public-domain text, read in full here on John Shaqi.
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