Where Angels Fear to TreadForster, E. M. (Edward Morgan)
General
Where Angels Fear to Tread
Forster, E. M. (Edward Morgan)
Culture conflict -- Fiction; Historical fiction; Humorous stories; Middle class -- England -- Fiction
“Because--” His voice broke. Philip watched his face,--a face without
refinement perhaps, but not without expression,--watched it quiver and
re-form and dissolve from emotion into emotion. There was avarice at one
moment, and insolence, and politeness, and stupidity, and cunning--and
let us hope that sometimes there was love. But gradually one emotion
dominated, the most unexpected of all; for his chest began to heave and
his eyes to wink and his mouth to twitch, and suddenly he stood erect
and roared forth his whole being in one tremendous laugh.
Philip sprang up, and Gino, who had flung wide his arms to let the
glorious creature go, took him by the shoulders and shook him, and said,
“Because we are married--married--married as soon as I knew you were,
coming. There was no time to tell you. Oh. oh! You have come all the way
for nothing. Oh! And oh, your generosity!” Suddenly he became grave, and
said, “Please pardon me; I am rude. I am no better than a peasant, and
I--” Here he saw Philip’s face, and it was too much for him. He gasped
and exploded and crammed his hands into his mouth and spat them out in
another explosion, and gave Philip an aimless push, which toppled him on
to the bed. He uttered a horrified Oh! and then gave up, and bolted away
down the passage, shrieking like a child, to tell the joke to his wife.
For a time Philip lay on the bed, pretending to himself that he was hurt
grievously. He could scarcely see for temper, and in the passage he ran
against Miss Abbott, who promptly burst into tears.
“I sleep at the Globo,” he told her, “and start for Sawston tomorrow
morning early. He has assaulted me. I could prosecute him. But shall
not.”
“I can’t stop here,” she sobbed. “I daren’t stop here. You will have to
take me with you!”
Chapter 3
Opposite the Volterra gate of Monteriano, outside the city, is a very
respectable white-washed mud wall, with a coping of red crinkled tiles
to keep it from dissolution. It would suggest a gentleman’s garden if
there was not in its middle a large hole, which grows larger with every
rain-storm. Through the hole is visible, firstly, the iron gate that is
intended to close it; secondly, a square piece of ground which, though
not quite, mud, is at the same time not exactly grass; and finally,
another wall, stone this time, which has a wooden door in the middle and
two wooden-shuttered windows each side, and apparently forms the facade
of a one-storey house.
Public-domain text, read in full here on John Shaqi.
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