This house is bigger than it looks, for it slides for two storeys down the hill behind, and the wooden door, which is always locked, really leads into the attic. The knowing person prefers to follow the precipitous mule-track round the turn of the mud wall till he can take the edifice in the rear. Then--being now on a level with the cellars--he lifts up his head and shouts. If his voice sounds like something light--a letter, for example, or some vegetables, or a bunch of flowers--a basket is let out of the first-floor windows by a string, into which he puts his burdens and departs. But if he sounds like something heavy, such as a log of wood, or a piece of meat, or a visitor, he is interrogated, and then bidden or forbidden to ascend. The ground floor and the upper floor of that battered house are alike deserted, and the inmates keep the central portion, just as in a dying body all life retires to the heart. There is a door at the top of the first flight of stairs, and if the visitor is admitted he will find a welcome which is not necessarily cold. There are several rooms, some dark and mostly stuffy--a reception-room adorned with horsehair chairs, wool-work stools, and a stove that is never lit--German bad taste without German domesticity broods over that room; also a living-room, which insensibly glides into a bedroom when the refining influence of hospitality is absent, and real bedrooms; and last, but not least, the loggia, where you can live day and night if you feel inclined, drinking vermouth and smoking cigarettes, with leagues of olive-trees and vineyards and blue-green hills to watch you. It was in this house that the brief and inevitable tragedy of Lilia’s married life took place. She made Gino buy it for her, because it was there she had first seen him sitting on the mud wall that faced the Volterra gate. She remembered how the evening sun had struck his hair, and how he had smiled down at her, and being both sentimental and unrefined, was determined to have the man and the place together. Things in Italy are cheap for an Italian, and, though he would have preferred a house in the piazza, or better still a house at Siena, or, bliss above bliss, a house at Leghorn, he did as she asked, thinking that perhaps she showed her good taste in preferring so retired an abode. The house was far too big for them, and there was a general concourse of his relatives to fill it up. His father wished to make it a patriarchal concern, where all the family should have their rooms and meet together for meals, and was perfectly willing to give up the new practice at Poggibonsi and preside. Gino was quite willing too, for he was an affectionate youth who liked a large home-circle, and he told it as a pleasant bit of news to Lilia, who did not attempt to conceal her horror.