Where Angels Fear to TreadForster, E. M. (Edward Morgan)
General
Where Angels Fear to Tread
Forster, E. M. (Edward Morgan)
Culture conflict -- Fiction; Historical fiction; Humorous stories; Middle class -- England -- Fiction
“Mother told you, did she?” said Philip wrathfully, as he went to
struggle for tickets at a slit so narrow that they were handed to him
edgeways. Italy was beastly, and Florence station is the centre of
beastly Italy. But he had a strange feeling that he was to blame for it
all; that a little influx into him of virtue would make the whole land
not beastly but amusing. For there was enchantment, he was sure of that;
solid enchantment, which lay behind the porters and the screaming and
the dust. He could see it in the terrific blue sky beneath which they
travelled, in the whitened plain which gripped life tighter than a
frost, in the exhausted reaches of the Arno, in the ruins of brown
castles which stood quivering upon the hills. He could see it, though
his head ached and his skin was twitching, though he was here as a
puppet, and though his sister knew how he was here. There was nothing
pleasant in that journey to Monteriano station. But nothing--not even
the discomfort--was commonplace.
“But do people live inside?” asked Harriet. They had exchanged
railway-carriage for the legno, and the legno had emerged from the
withered trees, and had revealed to them their destination. Philip, to
be annoying, answered “No.”
“What do they do there?” continued Harriet, with a frown.
“There is a caffe. A prison. A theatre. A church. Walls. A view.”
“Not for me, thank you,” said Harriet, after a weighty pause.
“Nobody asked you, Miss, you see. Now Lilia was asked by such a nice
young gentleman, with curls all over his forehead, and teeth just as
white as father makes them.” Then his manner changed. “But, Harriet, do
you see nothing wonderful or attractive in that place--nothing at all?”
“Nothing at all. It’s frightful.”
“I know it is. But it’s old--awfully old.”
“Beauty is the only test,” said Harriet. “At least so you told me when
I sketched old buildings--for the sake, I suppose, of making yourself
unpleasant.”
“Oh, I’m perfectly right. But at the same time--I don’t know--so
many things have happened here--people have lived so hard and so
splendidly--I can’t explain.”
“I shouldn’t think you could. It doesn’t seem the best moment to begin
your Italy mania. I thought you were cured of it by now. Instead, will
you kindly tell me what you are going to do when you arrive. I do beg
you will not be taken unawares this time.”
“First, Harriet, I shall settle you at the Stella d’Italia, in the
comfort that befits your sex and disposition. Then I shall make myself
some tea. After tea I shall take a book into Santa Deodata’s, and read
there. It is always fresh and cool.”
The martyred Harriet exclaimed, “I’m not clever, Philip. I don’t go in
for it, as you know. But I know what’s rude. And I know what’s wrong.”
“Meaning--?”
“You!” she shouted, bouncing on the cushions of the legno and startling
all the fleas. “What’s the good of cleverness if a man’s murdered a
woman?”
“Harriet, I am hot. To whom do you refer?”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account