“That’s true,” exclaimed she with enthusiasm.
He changed the subject to safer things, acting as if the whole matter
of their relations were settled. But, in reality, he was profoundly
disturbed. If the scheme of his picture had not taken such firm hold
upon him--the hold that compels an artist, in face of any debt to
consequences, however heavy--he would have contrived to rid himself of
her that day for good and all. He had had too many adventures not to
know the dangers filling the woodland in the springtime for a young man
and a young woman with no one to interrupt. He did not like his own
interest in her; he was little reassured by her explanations as to her
interest in him, though he told himself he must be careful not to judge
American girls by foreign standards. But the picture must be made, and
she was indispensable.
* * * * *
The bright weather held for several days. Every morning artist and
model met near the cascade and worked and talked alternately until
toward lunch time. She came earlier and earlier, until it was hardly
six when her canoe shot round the bend which divided off that end of
the lake into a little bay. He was always there before her. “Do you
spend the night here?” she asked.
“Why, this is late for me,” he replied. “I have breakfast before
sunrise and go up to the studio for an hour’s work before I come down
here. You see, light--sunlight--is all-important with me. So I go to
bed with the chickens.”
“You don’t live at the studio?” Then she reddened and hastily cried:
“No--don’t answer. I forgot.”
At her suggestion they had been careful about letting slip things that
might betray their identity in the outside world. This had become a
fetich with them, as if betrayal would break the charm and end their
friendship. “I never had anything like a romance in my life before,”
she had said. “I suppose I seem very silly to you, but I want to do
the best I can with this. You’ll humor me, won’t you?” And he agreed,
with a superior smile at her folly--a smile not nearly so sincere as he
fancied, for, like all men of his stamp, he was still the boy and would
be all his life.
Public-domain text, read in full here on John Shaqi.
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