He fretted about, glancing angrily at her from time to time until he
could endure her unhappiness no longer. He rushed for the closet and
began rattling the pots and dishes. “You are making an ass of me!” he
cried. “I never heard of such a woman! No matter what I say or do, you
put me in the wrong.... Dry those tears and I’ll give you chocolate.
But, mind you, this is the last time.”
She removed the traces of grief with celerity and cheerfulness. She
beamed on him. “I simply won’t let us not be friends,” said she. “I
never had a friend before. I couldn’t get along without you. You teach
me so much, and give me such good advice.”
“Which you take,” said he, grumpily ironical.
“All of it that’s good,” replied she. “You wouldn’t want me to take the
bad advice, would you, Chang? No, certainly you wouldn’t.”
In the end he let her help him make the chocolate, guided her as she
investigated the secrets of the closet--the easels and paints, the
canvases and drawing paper. And she laughed at his pair of big, old
slippers, and insisted on trying on a working coat full of holes and
smelling fiercely of stale tobacco. Before he realized what was
going on he was submitting joyously while she combed his hair in a
new way--“one that’ll bring out the artist in you.” And then they had
a picnic before the fire, and neither said a single word that would
not have sounded foolish from the lips of twelve years old--foolish,
mind you, not silly; there’s a world of difference between foolish and
silly, between folly and flatness. They had a hilariously good time,
like the two attractive grown-up children that they were--both brimming
with the joy of life, both eager for laughter as only intelligent,
imaginative people with no blight of solemn-ass false dignity upon them
are. And how thoroughly congenial they were! He did not awaken until
she cried: “Good gracious! What time is it? Six o’clock? I must go this
minute.”
“Don’t hurry. I’ll take you home,” said he. Then, with sudden virtue,
“You know, this is to be the last.”
She shook her head, laughing. “Oh, no. I’ll be down at the lake, as
usual, to-morrow morning.”
“I’ll not be there.”
“Then I’ll come on here.”
“Now, Rix, that isn’t square.”
“Square? To whom?”
“To me--to yourself--to that chap you’re engaged to.”
“Are you afraid of falling in love with me?”
“No--not in the least,” replied he, hasty and vigorous. “I don’t think
of you at all in that way.”
“You think you’ll hurt my vanity and make me angry.”
“Nothing of the kind!” protested he crossly. “You simply can’t get it
through your head that I don’t love you--that my life is settled along
other lines.”
“Then why shouldn’t I come?”
His mouth opened to reply, closed again. His expression was foolish.
She laughed. “You _are_ vain!” she cried. “You think the more I see of
you the more I’ll love you. Oh, Chang, Chang--what a peacock!”
“You’ve got a positive genius for putting me in the wrong. You----”
Public-domain text, read in full here on John Shaqi.
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